Rock & Indie 1766 Items

Release: 1969 / UK – Reissue

Genre: Rock & Indie

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LP | 1979 | UK | Reissue (Call Of The Void)

The Adverts

Cast Of Thousands

22,99 €*

Tape | 2017 | US | Original (Sub Pop)

Release: 1979 / UK – Reissue

Genre: Rock & Indie

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Originally released to a fan base and music press that were unprepared for the band to move on from the punk fury of “Crossing The Red Sea”, The Adverts “Cast Of Thousands” has since been recognized as a lost classic of the time. TV Smith’s cutting observational lyrics and sharp musical instincts saw his song writing grow and move in unexpected directions. The primal thumping was replaced by dynamic and driving drumming, acoustic guitars and probing solos emerged, and Tim Cross joined to add keyboards and fill out the overall sound. The one constant was the pounding throb of Gaye Advert’s bass. Encouraged to experiment by surprise producer Tom Newman (Mike Oldfield “Tubular Bells”) the band found themselves stretching creatively, both in song writing and recording techniques. They might agonize over the sound of recording a match being lit in the middle of one song, while doing a single take of a vocal via a microphone hung in the bathroom for another. Giant choirs were built meticulously over multiple tracks, while the sound of a rat running through the reverb room would be captured forever. The results wrapped some of TV’s best songs in strange and inventive sounds to compliment his anti-pop smarts and rock and roll heart. They did not know it at the time, but the band was falling apart. Tensions would soon rise to the level that replacement players were called in to finish their final tour. Punk fans left them in droves. Critics skewered the singles from the album. Their record label had moved on to the next big thing. Feeling that they had reached a creative peak made the tumble even harder to swallow. Time has been very kind though, and fans discovering punk after the first wave have been able to hear “Cast” for what it is - a brilliant and biting collection of rock and roll. Still full of stomp and swagger even when stripped down on “My Place” or via the anthemic surge of “Television’s Over”, with TV’s hook factory on full display on the anti-love song “Love Songs”, and the band closing the album with the creeping ballad “I Will Walk You Home”; The Adverts had grown from a great punk rock band to a great rock band.

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The Afghan Whigs

Congregation

15,99 €*

2LP | 2023 | Original (Nettwerk)

Release: 2017 / US – Original

Genre: Rock & Indie

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The Afghan Whigs' third album, Congregation, was released in 1992, and has sold over 46,000 copies. This cassette version is the first time Congregation has been available on cassette since its original release in the 1990s.

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The Album Leaf

Past And Future Tense

Release: 2023 / Original

Genre: Rock & Indie

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7" | 2020 | US | Original (Wick)

The Ar-Kaics

To Be Free / Easy

10,99 €*

Sans George Nreleased Tracks From The Get Back Sessions

Release: 2020 / US – Original

Genre: Rock & Indie

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The Ar-Kaics are back with a double shot of their endangered mode of recreational expression / rebellion, and doing it just for Kaics! Recorded at Daptone amid the gloom and decay of the day, “To Be Free” b/w “Easy” showcase the band's primitive garage sound in two nasty f lights of fancy. Wash it down with the fun punch straight from the bowl, and listen for the proto psych and outright punk nonsense a-brewing. With a new drummer in tow, free & easy is the rally cry for their new lease on psych. Communion for heads and seekers alike!

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The Beatles

LP | EU (Avitom)

Release: EU

Genre: Rock & Indie, Electronic & Dance

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The Decca Tapes Picture Disc Edition

The Beatles

LP | 2016 | EU | Original (Dol)

14,99 €*

LP | 2011 | US | Original (ATO Records)

Release: 2016 / EU – Original

Genre: Rock & Indie, Pop

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Special limited edition of 250 copies!

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The Bees

Every Step's A Yes

25,99 €*

Release: 2011 / US – Original

Genre: Rock & Indie

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Jump Rope Gazers Lemon / Lime Vinyl Edition

The Beths

12" | 2023 | UK | Reissue (Carpark)

25,99 €*

Levitation Sessions Black Friday Record Store Day 2023 Splatter Vinyl Edition

Release: 2023 / UK – Reissue

Genre: Rock & Indie

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Everything changed for The Beths when they released their debut album, Future Me Hates Me, in 2018. The indie rock band had long been nurtured within Auckland, New Zealand’s tight-knit music scene, working full-time during the day and playing music with friends after hours. Full of uptempo pop rock songs with bright, indelible hooks, the LP garnered them critical acclaim from outlets like Pitchfork and Rolling Stone, and they set out for their first string of shows overseas. They quit their jobs, said goodbye to their home town, and devoted themselves entirely to performing across North America and Europe. They found themselves playing to crowds of devoted fans and opening for acts like Pixies and Death Cab for Cutie. Almost instantly, The Beths turned from a passion project into a full-time career in music. Songwriter and lead vocalist Elizabeth Stokes worked on what would become The Beths’ second LP, Jump Rope Gazers, in between these intense periods of touring. Like the group’s earlier music, the album tackles themes of anxiety and self-doubt with effervescent power pop choruses and rousing backup vocals, zeroing in on the communality and catharsis that can come from sharing stressful situations with some of your best friends. Stokes’s writing on Jump Rope Gazers grapples with the uneasy proposition of leaving everything and everyone you know behind on another continent, chasing your dreams while struggling to stay close with loved ones back home. "If you're at a certain age, all your friends scatter to the four winds,” Stokes says. “We did the same thing. When you're home, you miss everybody, and when you're away, you miss everybody. We were just missing people all the time.” With songs like the rambunctious “Dying To Believe” and the tender, shoegazey “Out of Sight,” The Beths reckon with the distance that life necessarily drives between people over time. People who love each other inevitably fail each other. “I’m sorry for the way that I can’t hold conversations/They’re such a fragile thing to try to support the weight of,” Stokes sings on “Dying to Believe.” The best way to repair that failure, in The Beths’ view, is with abundant and unconditional love, no matter how far it has to travel. On “Out of Sight,” she pledges devotion to a dearly missed friend: “If your world collapses/I’ll be down in the rubble/I’d build you another,” she sings. “It was a rough year in general, and I found myself saying the words, 'wish you were here, wish I was there,’ over and over again,” she says of the time period in which the album was written. Touring far from home, The Beths committed themselves to taking care of each other as they were trying at the same time to take care of friends living thousands of miles away. They encouraged each other to communicate whenever things got hard, and to pay forward acts of kindness whenever they could. That care and attention shines through on Jump Rope Gazers, where the quartet sounds more locked in than ever. Their most emotive and heartfelt work to date, Jump Rope Gazers stares down all the hard parts of living in communion with other people, even at a distance, while celebrating the ferocious joy that makes it all worth it -- a sentiment we need now more than ever.

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The Black Angels

LP | 2023 | US | Reissue (The Reverberation Appreciation Society)

41,99 €*

LP | 2014 | US | Reissue (Nonesuch)

Release: 2023 / US – Reissue

Genre: Rock & Indie

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Quantity: 2000
Release type: 'RSD First' Release

In celebration of the40th anniversary of Under A Blood Red Sky(1983), the2023 Record Store Day Black Fridaysees the newly remastered release of the band's iconic live album onlimited edition red vinyl. Consisting of live recordings from three shows on the band'sWar Tour in 1983, the album helped to cement U2's reputation globally as one of the greatest live acts of all time. Featuring legendary live versions of 'Gloria', 'I Will Follow', and 'Sunday Bloody Sunday', the album remains faithful to the original track list, but is newly remastered at the renowned studioBernie Grundman Mastering.

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The Black Keys

Turn Blue

32,99 €*

Release: 2014 / US – Reissue

Genre: Rock & Indie

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EP | 2015 | US | Reissue (Drag City)

The Blue Jean Committee

Catalina Breeze EP

LP | 2022 | EU | Original (Mnrk Music Group)

Release: 2015 / US – Reissue

Genre: Rock & Indie

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Soft rock"s seminal band, The Blue Jean Committee, originated from blue-collar Chicago when the now legendary Clark Honus (Bill Hader) and Gene Allen (Fred Armisen) dropped out of sausage school to create the band of their dreams. With the help of famed music manager AlvinIzoff, the band reinvented their hard Chicago-blues image to instead transcend the laid-back essence of California. After studying bands like The Beach Boys, The Blue Jean Committee as able to find theirsignature sound and rise to the top of music charts. Despite Chicago"s resistance to their "vegetarian" facade and "hippy" vibe, the band became known for creating the quintessential California album. Theirdebut album, Catalina Breeze, spawned six consecutive hit singlesfor the band and for a moment it seemed like they would be a long-term fixture on the American musical landscape. However, some relationshipsare more complicated than they appear on the surface, and nowhere didthis ring more true than for Gene Allen and Clark Honus, as their infamous on-stage fight at the Hollywood Bowl Animal Rights Now Benefit and subsequent break-up has since become the stuff of legend.Fans of the "Chicago band with the California sound" can celebrate once more!After over 30 years apart, Gene and Clark were recently reunited for their induction into the Hall of Fame in April 2015.

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The Blue Stones

Pretty Monster

Release: 2022 / EU – Original

Genre: Rock & Indie

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Bellevue Colored Vinyl Edition

The Bobby Lees

LP | 2022 | US | Original (Ipecac)

Release: 2022 / US – Original

Genre: Rock & Indie

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I Shall Die Here / Earth Triumphant Black Vinyl Edition

The Body

2LP | 2014 | US | Reissue (Rvng Intl.)

I've Seen All I Need To See Black Vinyl Edition

Release: 2014 / US – Reissue

Genre: Rock & Indie

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I Shall Die Here / Earth Triumphant is an expanded edition of the fourth full-length album by The Body, first released to widespread acclaim, and terror, in 2014. Sharing their moribund vision with Bobby Krlic, aka The Haxan Cloak, the tried and true sound of The Body is shred to pieces on I Shall Die Here, mutilated by process and re-animated in a spectral state by the collaboration. This double album set is expanded with the previously unreleased Earth Triumphant, a full-length companion album that would become I Shall Die Here, showcasing The Body's brutality in its most primal form. With both albums revisited by The Body and Seth Manchester at Machines With Magnets and remastered by Matt Colton at Metropolis Studios, this is the definitive edition of a shocking classic of unbridled bleakness and innovation. Formed by drummer Lee Buford and guitarist Chip King in Little Rock, Arkansas in 1999, The Body soon relocated to Providence, Rhode Island. The duo remained in Providence for a decade before moving west to their current home of Portland, Oregon. Their debut self-titled album (Moganano, 2003) and on the widely-acclaimed, classification curtailing of All the Waters of the Earth Turn to Blood (At A Loss, 2011) readied the band for even more experimentations. The employment of the Assembly of Light Choir's classical chorales on All the Waters, alongside more industrial music techniques such as vocal sampling and drum programming, prompted RVNG to inquire with King and Buford which darker corners of the electronic universe they were presumably interested in exploring. The undertaking of I Shall Die Here was aided by Seth Manchester and Keith Souza, The Body's long standing engineer and creative collaborator, and noted producer Bobby Krlic. Krlic's own work as The Haxan Cloak struck a similarly despairing chord to The Body with the celebrated Excavation (Tri Angle, 2013), itself a minimalist evocation of the afterlife. I Shall Die Here shares similar nether space with the morbidly deviating darkness of Excavation, but remains sculpturally frozen in a sort of earthen purgatory. The Body's musical approach, engraved by Buford's colossal beats and King's mad howl and bass-bladed guitar dirge, became something even more terrifying with Krlic's post-mortem ambiences serving as both baseline and outer limit. I Shall Die Here sonically serrates the remains of metal's already unidentifiable corpse and splays it amid tormented voices in shadow. This expanded edition gives us a window into the creation of a classic with the inclusion of its in utero twin, Earth Triumphant. Recorded as a nearly finished album by Buford and King before The Haxan Cloak's transformation, it stands as a raw statement of intent, the original DNA for what would soon mutate into something wholly new. Fans of I Shall Die Here will find familiar sonic fragments in a more primitive state - like seeing an out-of-context photograph of a family member taken well before you knew them - but the album stands on its own in its minimalist brutality, a natural bridge to what The Body was soon to become. The Body's I Shall Die Here / Earth Triumphant will be released in digital and vinyl formats on June 30, 2023. On behalf of The Body, The Haxan Cloak, and RVNG Intl., a portion of the proceeds from this release will benefit Intransitive, an organization that works to advance the cause of Trans liberation in Arkansas through art, education, advocacy, organizing and culture in order to create effective systemic change and on-the-ground impact.

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The Body

LP | 2021 | US | Original (Thrill Jockey)

LP | 1978 | UK | Reissue (Call Of The Void)

Release: 2021 / US – Original

Genre: Rock & Indie

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Over the course of two decades The Body, Lee Buford and Chip King, have consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On I've Seen All I Need To See, they test the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. Their most incisively bleak, a towering monolith of noise, album to date Buford's booming, resolute drums paired with King's obliterated guitar and howl. Course, bristling distortion contorts every instrument, with samples of spoken word, cymbals, toms and King's already noxious tone emerging from layers of feedback. The recording studio remains indelible to The Body's creative process. Together with engineer Seth Manchester of Machines With Magnets, they capture the complexities of distorted sound in stunning detail. The clarity and the cacophony exceed anything they've created before, morphing desolate, festering soundscapes into an exhilarating sonic universe. Buford often lays the framework for songs from the drums up, mirroring hip hop production. I've Seen All I Need To See trades out 808s and The Body's self- sampling for live instruments with a focus on expanding mutations of sound from more limited sources. The results are remarkably rich textural bombardments. Throughout, The Body deliver oppressive noise with potent lucidity, replicating the overwhelming sound of their live performances in revelatory detail. I've Seen All I Need To See demonstrates not only The Body's fearless spirit and vicious edge, but their intellectual musical heft through its explorations of distorted sound and the power of distorted sounds' interplay. Composer Roger Johnson said "Noise is power, but is generally represented as negative, chaotic, dangerous, violent, when it comes... from those marginalized from power. Noise is also an expression of freedom, a 'liberation of sound.'" The Body are sound liberators capable of mining and extracting remarkable details from the most manipulated and distorted sound sources. I've Seen All I Need To See is a groundbreaking work and an ecstatic listen, whether seen as a testament to catharsis in oblivion, an opus of inexorable dread or a wholly liberating adventure.

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The Boys

Alternative Chartbusters

22,99 €*

LP | 1990 | UK | Reissue (4AD)

Release: 1978 / UK – Reissue

Genre: Rock & Indie

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Classic Black vinyl, 1000 pressed. A punk classic, gloriously anthemic power pop from the cult UK outfit. On 17 March 1978, a mere six months after the release of their self-titled debut, The Boys second album “Alternative Chartbusters” was released (once again, produced by Dangerfield & Steel). As AllMusic recognises, “Alternative Chartbusters” was way ahead of its time, a buried treasure that only got dusted off much later: “Condemned at the time for offering up little more than a straight carbon copy of its predecessor, the second Boys’ album has since ascended to the pantheon of power pop greats, a combination of the band's own inestimable position at the forefront of what, by early 1978, was already a burgeoning movement, and their seemingly effortless grasp of the rudiments of, indeed, a great pop song.” Along with the Sex Pistols, Clash and the Damned, The Boys were part of the first wave of the mid-1970’s UK punk explosion. Armed with an arsenal of killer Steel/Dangerfield songs The Boys became the first UK punk band to sign an album deal in January 1977 and subsequently released two albums, their self-titled debut and the follow-up “Alternative Chartbusters” in quick 7 succession. Highly regarded by the music press and their contemporaries, yet somehow criminally ignored by a wider punk audience, unable to grasp their heritage of vintage rock ‘n’ roll that went back to Chuck Berry courtesy of The Beatles. Their well-crafted songs, together with Steel and Dangerfield’s layered harmonies, even led to them being described as ‘The Beatles of Punk’

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The Breeders

Pod

Release: 1990 / UK – Reissue

Genre: Rock & Indie

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The Brian Jonestown Massacre

Give It Back! Blue Vinyl Edition

2LP | 1997 | UK | Reissue (‘a’ Records)

The Brian Jonestown Massacre

Release: 1997 / UK – Reissue

Genre: Rock & Indie

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First time on vinyl! Fully remastered. Considered a classic and most sought after re-issues on the vinyl format, the CD was originally released in 1997. Give It Back! is the sixth studio album and notably, is the only album that features Peter Hayes, who went on to found the Black Rebel Motorcycle Club .

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LP | 2019 | EU | Reissue (A Recordings)

The Brian Jonestown Massacre

Release: 2019 / EU – Reissue

Genre: Rock & Indie

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Superb Deluxe Packaging Heavy Board 180g Clear Vinyl And Printed Plastic Sleeve. Brian Jonestown Massacre Burst Into 2019 With The Release Of Their 18th Full-Length Album, Just 7 Months After Their Last One. It Was Recorded And Produced At Anton's Cobra Studio In Berlin.The Album Was Originally Going To Be Released In September, But Due To A Hugely Successful Global Tour - Taking In Usa, Canada, Australia,...

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Their Satanic Majesties Second Request

2LP | 1996 | UK | Reissue (A Recordings)

Release: 1996 / UK – Reissue

Genre: Rock & Indie

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The Complete Singles Collection Red Vinyl Edition

The Business

2LP | 2023 | EU | Original (Audioplatter)

12" | 2023 | EU | Original (Play It Again Sam)

Release: 2023 / EU – Original

Genre: Rock & Indie

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One of Punk's biggest selling bands of the early 80's, this killer collection features all of their tracks released as singles. The collectors' items sleeves have been gathered together for the gatefold artwork along with lyrics. Musical highlights include the indie chart hits Harry May, Smash The Discos and the ultra rare "Out Of Business" EP.

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The Cassandra Complex

[Pias] 40 12''

20,99 €*

Release: 2023 / EU – Original

Genre: Rock & Indie

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Skipping Stones: The Cassette Years '92-'93

The Cat's Miaow

2LP | 2024 | UK | Original (World Of Echo)

Eros Zeta & The Perfumed Guitars Galaxy Green Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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The Cat’s Miaow return to World Of Echo with Skipping Stones: The Cassette Years ’92-’93, their second compilation for the imprint, and the fourth in a loosely defined series of reissues associated with the group (also including The Shapiros’ Gone By Fall: The Collected Works of The Shapiros and Hydroplane’s Selected Songs 1997-2003). It’s a smart selection of songs by one of Australia’s finest independent pop music groups, whose initial run, across the nineties, was as mysterious as it was bewitching. A generous double album featuring thirty-five songs drawn from The Cat’s Miaow’s history, Skipping Stones lets listeners in on a bunch more secrets.

An even deeper pass through the archives of The Cat’s Miaow, Skipping Stones is a welcome follow-up to 2022’s Songs ’94-’98, which pulled together material from seven-inch singles and compilations. Diving into the four cassettes that the group released over a two-year period, Skipping Stones is full of surprises, rich with unexpected and inspired detours, while reminding everyone just how clear and distinct The Cat’s Miaow’s music was from the very start. Looking in from the outside, they always felt like a group that knew just what they were doing, but intuitive as they are, they weren’t forcing anything: these songs always sound exactly what they need to be, rough edges, playful moments and all.

It's also a fascinating snapshot of one arm of the ‘international pop underground’. While they were clearly listening to music from the US, UK and elsewhere – there are glimpses of Galaxie 500, Spacemen 3, Beat Happening, and The Pastels in some of the songs here – The Cat’s Miaow also feel, consciously or not, part of a continuum of Australian underground pop that takes in The Particles, The Lighthouse Keepers, The Cannanes, The Honeys, Even As We Speak, and The Sugargliders (who they would cover several times). Like those before them, The Cat’s Miaow balanced opposing forces in their music: naivete and knowingness; fragility and strength; worldliness and world-weariness; play and seriousness; heartache and pleasure.

The four cassettes that Skipping Stones draws from – Little Baby Sour Puss, Pet Sounds (both 1992), From My Window, and How Did Everything Get So Fucked Up (both 1993) – were released or assisted by Toytown, a Melbourne cassette label of rare taste, savvy and intelligence, run by Wayne Davidson. Toytown felt like the perfect early home for The Cat’s Miaow, their cassettes rubbing shoulders in the label’s catalogue with brilliant groups like Sukpatch, The Ah Club, Kitty Craft, and Land Of The Loops. The local context is just as important, too, with The Cat’s Miaow sharing their time and creative vision with friends in The Ampersands, Stinky Fire Engine, Girl Of The World, Super Falling Star, Pencil Tin and The Sugargliders. And cassettes were an important form of exchange – cheap, easy to reproduce, not too expensive to send interstate or overseas, they were the most accessible DIY format for any group starting to spread the word about their noise.

All of this is to say, the thirty-five songs here landed in several different contexts, national and international, which goes part-way to explaining the group’s curious cosmopolitanism, the style and spirit in their sound. The Cat’s Miaow may have been bedroom dreamers, but their songs were richly informed, with the sweetest of girl-pop moves sashaying into walls of tremolo-d and distorted guitar, jangling six strings tangling with melodic bass that’s pure Peter Hook/Naomi Yang, while the gentle trickle of a drum machine or the earthy twitch of brushes on drum skins provided the spine for Kerrie’s and Bart’s lovely, unforced singing.

There are a clutch of gorgeous songs here that would reappear in a different form on later releases, classics like “The Phoebe I Know”, “Third Floor Fire Escape View”, “Not Like I Was Doing Anything” and “You Left A Note On The Table”, but plenty of other magic too, all of it finding its way to vinyl for the first time (some tracks appeared on compact disc via the compilations A Kiss and A Cuddle [Bus Stop, 1996] and Songs For Girls to Sing [Drive-In, 1997]). Remarkably, The Cat’s Miaow have also recently released a split single with Rocketship featuring newly recorded material and returned to the stage for their second-ever gig.

But this double LP on World Of Echo feels like the very core of the thing – some of the most heartbreakingly beautiful, effortlessly lush and deeply moving pop music you’re likely to hear.

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The Church

LP | 2024 | UK | Original (Easy Action)

The Hypnogogue Purple Vinyl Edition

Release: 2024 / UK – Original

Genre: Rock & Indie

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Following on the theme from last year’s critically acclaimed The Hypnogogue. 15 new songs take the story further.

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The Church

2LP | 2023 | UK | Original (Easy Action)

2LP | 1979 | US | Reissue (Sony)

Release: 2023 / UK – Original

Genre: Rock & Indie

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) Brand new album by The Church, their first in 6 years! • Presented in deluxe card gatefold sleeve CD and gatefold limited purple double vinyl LP • European tour 2023 • Reviews secured in Mojo, Classic Rock, Uncut, Vive Le Rock, Record Collector, Louder Than War • "While some may just want The Church to write another "Under the Milky Way", The Hypnogogue's title track is excellent. One of the most anticipated albums of 2023” - Brooklyn Vegan • Treble Zine have named The Hypnogogue one of their most anticipated albums for 2023. "Let it first be said that the title track of The Hypnogogue, the first new album from The Church in six years, is one of the most breath-taking singles they’ve released in years, a darkly psychedelic six minutes that slowly spirals into a menacing descent. That alone is a reason to keep this one on your radar; the Australian neo-psych band have been going for over 40 years, with around a half dozen classic albums and zero bad ones, yet their ability to keep evolving and uncovering new aspects to their sound and approach only serves as a reminder of how vital they remain after four decades". After an epic return to homeland stages, Australian psych-rock legends The Church announce their forthcoming studio album The Hypnogogue. Following on from 2017’s widely acclaimed Man Woman Life Death Infinity, the Sydney band’s 27th album was recorded just before the world was shut down by the Covid-19 pandemic. Emerging from the darkness is the band’s first new studio album in six years and the first to feature the newest line-up led by founder, bassist and vocalist Steve Kilbey. “The Hypnogogue” is the most prog rock thing we have ever done, we’ve never created a concept album before,” says Kilbey. “It is the most teamwork record we have ever had. Everyone in the band is so justifiably proud of this record and everyone helped to make sure it was as good as it could be. Personally, I think it’s in our top three records.” Picking up substantial international airplay, raising anticipation for the album’s release, the digital singles ‘The Hypnogogue’ and ‘C’est La Vie’ set the stage for the album’s striking science fiction narrative. Kilbey unpacks the themes that tie the album together: “The Hypnogogue is set in 2054, a dystopian and broken-down future. Invented by Sun Kim Jong, a North Korean scientist and occult dabbler, it is a machine and a process that pulls music straight off dreams.” This new five-piece line-up is made up of Kilbey along with long-time collaborator, drummer and producer Tim Powles, who’s remained a staple across 17 albums since 1994. Joining them is guitarist Ian Haug, formerly of Australian rock icons Powderfinger, who has been with the band since 2013. Touring multiinstrumentalist talent Jeffrey Cain is now a full-time member since the departure of Peter Koppes in early 2020. Completing the line-up, newcomer Ashley Naylor is one of Australia’s finest guitarists and a long-time member of Paul Kelly’s touring band. Formed in 1980, The Church found early chart success in their homeland, before establishing themselves as an international touring entity, earning a worldwide hit with the single ‘Under The Milky Way’ from their hit 1988 album Starfish, while their stellar live shows have been deemed ‘spectacular’ by Magnet magazine and continue to win the hearts of industry and fans across the world. Often seen as the Godfathers of an Australian psych/prog scene generating such internationally successful names as Tame Impala and King Gizzard And The Lizard Wizard, The Church have gone on to maintain a loyal and far-reaching following as their fanbase has expanded with their evolving sound. Entering their fourth decade as a band, The Church continue to remain a treasured creative force.

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The Clash

London Calling

42,99 €*

LP | 2016 | UK | Original (Leaf)

Release: 1979 / US – Reissue

Genre: Rock & Indie

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One of the most influential albums of all time!

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The Comet Is Coming

Channel The Spitits

Release: 2016 / UK – Original

Genre: Rock & Indie

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12" | 2015 | UK | Original (Leaf)

The Comet Is Coming

Prophecy

10,99 €*

Release: 2015 / UK – Original

Genre: Rock & Indie

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Midwestless Deluxe Edition

The Conformists

LP | 2024 | Original (Computer Students)

32,99 €*

Release: 2024 / Original

Genre: Rock & Indie

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To The Faithful Departed Limited Edition

The Cranberries

LP | 2023 | EU | Original (Universal)

Release: 2023 / EU – Original

Genre: Rock & Indie

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Bbc Sessions 1979-1981

LP | 2023 | EU (DBQP)

20,99 €*

Release: 2023 / EU

Genre: Rock & Indie

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Kiss Me, Kiss Me, Kiss Me

2LP | 2013 | EU | Original (Rhino)

44,99 €*

Release: 2013 / EU – Original

Genre: Rock & Indie

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Live At The Ontario Theater Washington Dc 1984

Tape | 2023 | EU (Tape It Dee Dee)

12,99 €*

Release: 2023 / EU

Genre: Rock & Indie

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The Cure had been gradually building their U.S. fan base when they embarked on their third American tour to promote their 1984 studio release, The Top. This recording was made on that tour, and features the band during their most defining musical period. Coming off the success of hits like “Let’s Go To Bed” and “Boys Don’t Cry,” Robert Smith and the band had finally come to the point where they could take The Cure’s eccentric, characteristically dark sound and combine it with a more radio-friendly approach.

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Pornography Red Vinyl Edtion

LP | 1982 | EU | Reissue (Vinyl Lovers)

Release: 1982 / EU – Reissue

Genre: Rock & Indie, Pop

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140 gram reissue!

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Silence And Black: Live At The Melkweg Amsterdam 1979

Tape | 2024 | EU (Tape It Dee Dee)

20,99 €*

Release: 2024 / EU

Genre: Rock & Indie

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December 12th, 1979: Amsterdam's Melkweg throbs with early Cure magic captured on this live. Robert Smith's brooding vocals pierce the air, weaving through post-punk anthems like "Fire in Cairo" and "A Forest." Raw energy and nascent darkness ignite a legendary band's journey. Dive into the origins of The Cure's haunting beauty.

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Three Imaginary Boys Picture Disc Edition

LP | 1979 | EU | Reissue (Polydor)

LP | 2020 | EU | Original (Restless Empire)

Release: 1979 / EU – Reissue

Genre: Rock & Indie, Pop

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limited edition picture disc!

The undisputed leaders of the early gothic scene, and a seminal band that contributed to the rise of British post-punk, The Cure recorded their debut album Three Imaginary Boys at London's Morgan Studios and released it in May 1979. After touring for almost all of 1977, the band changed their name to The Cure and rearranged their line-up with the sacking of Porl Thompson, giving birth to an unusual power trio. This line-up lasted only for their first album, making it unique in its essentially minimal sound. The year was now 1978, and the three (imaginary?) boys soon signed to Chris Parry's Fiction Label.

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The Danse Society

On't Bbc 80-82

21,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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I Like You But Not Like That

The Darts

LP | 2019 | US | Original (Alternative Tentacles)

18,99 €*

Release: 2019 / US – Original

Genre: Rock & Indie

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The Kids Are Alright White Vinyl Edition

The Day

LP | 2024 | EU | Original (Sinnbus)

25,99 €*

Release: 2024 / EU – Original

Genre: Rock & Indie

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LP | 1996 | EU | Reissue (Divine Comedy)

A Short Album About Love

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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Each LP release consists of the original remastered album, cut at Abbey Road, packaged with a download code for the album and bonus tracks. The LPs are heavyweight black vinyl in a gatefold sleeve accompanied with photos, credits and Neil's liner notes.

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LP | 2004 | EU | Reissue (Divine Comedy)

Absent Friends

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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LP | 1996 | EU | Reissue (Divine Comedy)

Casanova

Release: 1996 / EU – Reissue

Genre: Rock & Indie

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LP | 1993 | EU | Reissue (Divine Comedy)

Liberation

Release: 1993 / EU – Reissue

Genre: Rock & Indie

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LP | 1994 | EU | Reissue (Divine Comedy)

Promenade

Release: 1994 / EU – Reissue

Genre: Rock & Indie

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LP | 2001 | EU | Reissue (Divine Comedy)

Regeneration

Morrison Hotel 50th Anniversary Deluxe Edition

Release: 2001 / EU – Reissue

Genre: Rock & Indie

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The Doors

LP+2CD | 2020 | EU | Original (Rhino)

58,99 €*

Release: 2020 / EU – Original

Genre: Rock & Indie

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2LP | 2017 | EU | Original (Anti)

The Drums

Abysmal Thoughts

Release: 2017 / EU – Original

Genre: Rock & Indie

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LP | 1976 | EU | Reissue (Warner)

The Eagles

Hotel California

Release: 1976 / EU – Reissue

Genre: Rock & Indie

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Underground Light Blue Vinyl Edition

The Electric Prunes

LP | 1967 | US | Reissue (Jackpot)

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Tape | 2022 | EU (Radiation Reissues)

The Exploited

Troops Of Tomorrow

12,99 €*

It's A Long Way Down Red Vinyl Edition

Release: 2022 / EU

Genre: Rock & Indie

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In the early '80s, British punk took a turn toward hardcore and the Exploited (along with G.B.H, Disorder, etc.) led the charge. The beat was fast and furious, the politics ferocious, and the magenta mohawk became state of the art. This album is blessed with great production, something many hardcore albums lack, meaning the froth and fury don't come across as a total muddle. Moreover, the machine gun beat comes with hooks that leave you humming along with the tunes. It's raw, loud, and a downright classic. This is a crucial album in the evolution of The Exploited.

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The Fallen Angels

LP | 1968 | US | Reissue (Jackpot)

The Fallen Angels Purple Vinyl Edition

Release: 1968 / US – Reissue

Genre: Rock & Indie

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Released only one year after their psychedelic debut, The Fallen Angels’ sophomore album, It’s A Long Way Down, lays it all out on the line. Unfettered by label interference, The Fallen Angels’ second and final record highlights all the band has to offer. Off-kilter time signatures, experimental soundscapes, and white-hot guitar licks abound across It’s A Long Way Down’s dozen tracks, with lead singer Jack Bryant’s vocals serving as a guiding light through the paisley-patterned tunnel. Album high points like “Poor Old Man” and “Something New You Can Hide In” tease early signs of progressive rock with their weird and winding melodies, and impress with rock-solid instrumentation. An early marvel of psych rock that holds up to this day. Mastered from its original tapes and pressed at RTI on color vinyl, in its original gatefold design.

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The Fallen Angels

LP | 1967 | US | Reissue (Jackpot)

Guilt Show Clear With Grey Splatter Vinyl Edition

Release: 1967 / US – Reissue

Genre: Rock & Indie

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Pioneers of psychedelic rock, Jackpot Records is thrilled to offer the first-ever vinyl reissue of The Fallen Angels’ debut album! An unsung classic of ’60s psychedelia, The Fallen Angels, originally released in 1967, showcases the frenetic energy and melodic mélange of early garage and psych rock. Hailing from the Washington, D.C. area, The Fallen Angels masterfully blended driving guitar solos, groovy basslines, and playful distortion, with lead vocalist Jack Bryant’s bluesy and charismatic vocals. Standout tracks like “Introspective Looking Glass”, “Room At The Top”, and “No Way Out” are replete with punchy horn sections, raucous drums, and just enough reverb-stricken sitar for that true late-’60s flavor. Pressed on limited edition color vinyl at RTI and mastered by Kevin Gray from the original tapes

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The Get Up Kids

LP | 2004 | EU | Reissue (Vagrant)

2LP | 1967 | EU | Reissue (Maplewood)

Release: 2004 / EU – Reissue

Genre: Rock & Indie

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Guilt Show' was The Get Up Kids fourth studio album, originally released in 2004. This is the first new pressing since 2016, this time on a clear vinyl with grey splatter detail. Comes with a lyric insert and housed in a hand-numbered sleeve; limited to 500 copies for Uk/eu.

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The Glass Family

Electric Band

Stayed Up Last Night / Shadow Of Grief

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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This double-LP comes with a gatefold sleeve featuring the original artwork on the front and back, and new artwork plus interview and biography in the inside. The first LP is a reissue fo the original '67 acid-, folk- and blues-rock album, with distorted guitars, swirling organ and dirty vocals. The second platter offers previously uinissued recordings, with a raw sound and including an alternate take of 'House Of Glass'. A relevant release for fans of US '60s psychedelia.

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The Greenhornes

7" | 1999 | US | Reissue (Third Man)

10,99 €*

LP | 2014 | CZ | Reissue (Everloving)

Release: 1999 / US – Reissue

Genre: Rock & Indie

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Although not technically a Detroit-based garage group, this Cincinnati band fit in as honorary Detroiters by the time this single was released. The Greenhornes were purveyors of period-perfect 1960s rock n roll a la the Pretty Things and the Kinks. Plus, they were immediately set apart by their grim reputation of touring in a '67 Cadillac hearse.

This single was recorded at Jack White's house in southwest Detroit right before the release of the Greenhornes' debut LP and the b-side is a re-imagined version of one of their 2nd LP's strongest tracks ''Shadow of Grief''. Band members Jack Lawrence and Patrick Keeler would go on to be the rhythm section in the Raconteurs while Brian Olive would later join the Soledad Brothers and make serious contributions to Dr. John's revered ''Locked Down'' album.

Stayed Up Last Night b/w Shadow of Grief

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The Growlers

Chinese Fountain

22,99 €*

Release: 2014 / CZ – Reissue

Genre: Rock & Indie

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LP | 2024 | EU | Original (Sublime Frequencies)

The Handover

LP | 2022 | EU | Original (Loose Music)

Release: 2024 / EU – Original

Genre: Organic Grooves, Rock & Indie

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Preorder shipping from 2024-05-31

In The Handover, Aly Eissa, Ayman Asfour and Jonas Cambien explore the common and uncommon senses of Egypt's ritual music. It is clear that Aly Eissa's original composition is deeply rooted in Egyptian and Arabic traditions. At the same time, this band is one of the most progressive coming out of Egypt today. This is in big part thanks to Eissa, who has proven time and again to be not only an extremely skillful composer, but also a real visionary, combining tradition with modern experimentation.

A performance by The Handover is typically one stretch without break: a long build-up that lasts for the duration of the concert. Towards the end of the performance, all the tension is released in an exuberant, joyful climax, when wild improvisations are driven forward on top of exciting dance-rhythms from rural Egypt. The Handover elegantly combines the delicacy of classical Arabic music, the raw expressiveness of Egypt's countryside music, and the spontaneity of free improvisation, carefully obliterating the artificial separation between acoustic and electronic instruments. Despite the remarkable absence of any percussion or drums, The Handover is an extremely groovy band, with an ability to slow down and accelerate the tempo in almost telepathic synchronization at exactly the right moments.

Alongside the tight ensemble playing there is plenty of room for individual expression as the oud, synthesizer and violin take turns playing solos on top of repetitive riffs. Throughout the album, native Alexandrian Ayman Asfour plays the violin with breathtaking beauty, while not being afraid to make the violin buzz, squeak and rattle at times. Belgian/Norwegian keyboardist Jonas Cambien makes the synthesizer a melodic instrument in its own right, at times evoking almost classical Maqam, while in other moments it seems like he comes straight out of an Egyptian wedding. The oud forms the backbone in the composition's structure, as Aly Eissa's solos guide the listener from minimalist, meditative drones, to a compelling climax, and back to earth.

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The Hanging Stars

Hollow Heart

Release: 2022 / EU – Original

Genre: Rock & Indie

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12" | 2022 | UK | Original (ATO)

The Heavy Heavy

Life And Life Only

21,99 €*

Release: 2022 / UK – Original

Genre: Rock & Indie

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Black And White Album Record Store Day 2024 Black & White Vinyl Edition

The Hives

LP | 2007 | Reissue (UMC)

36,99 €*

König Der Idioten Black Vinyl Edition

Release: 2007 / Reissue

Genre: Rock & Indie

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Quantity: 4000
Release type: 'RSD First' Release
Swedish indie rockers The Hives released their 4th studio album The Black and White Album on 8th October 2007. For the album the band worked with Pharrell Williams. The albums lead single “Tick Tick Boom” has been used in the computer game Madden NFL 08 and many TV shows and films such as CSI: Miami, Friday Night Lights, Jumper, Taken and Friday the 13th. In 2023 the band released their first album in 11 years, going straight in at #2 in the UK album charts putting The Hives fully back on the map. For Rsd2024 the album is to be re-pressed for the first time since its release, this exclusive version will be on black and white vinyl and features a two-sided poster.

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The Idiots

LP | 2023 | EU | Original (Massacre)

Release: 2023 / EU – Original

Genre: Rock & Indie

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2LP | 2003 | CZ | Reissue (American)

The Jayhawks

Rainy Day Music

46,99 €*

Release: 2003 / CZ – Reissue

Genre: Rock & Indie

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LP | 1995 | CZ | Reissue (American)

The Jayhawks

Tomorrow The Green Grass

36,99 €*

Release: 1995 / CZ – Reissue

Genre: Rock & Indie

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Damage And Joy Black Vinyl Deluxe Edition

The Jesus And Mary Chain

2LP | 2017 | UK | Reissue (Fuzz Club)

Sunset 666 (Live) Red Vinyl Edition

Release: 2017 / UK – Reissue

Genre: Rock & Indie

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Originally released in 2017 on the band's own label Artificial Plastic and now being reissued by Fuzz Club Records, 'Damage And Joy' is the seventh studio album from Scottish alt-rock legends The Jesus and Mary Chain. The long-awaited follow-up to 1998's 'Munki', 'Damage And Joy' was the band's first studio album in nearly two decades and contained brand new material alongside reimagined versions of songs that had been released in various forms by the Reid brothers in between the Mary Chain's 1999 break-up and 2007 reunion. Co-produced by Youth (Killing Joke) and featuring the lead singles 'Amputation' and 'All Things Pass', 'Damage & Joy' also featured guest appearances from Scottish singer-songwriter Isobel Campbell ('The Two of Us', 'Song For A Secret') and American alt-pop star Sky Ferreira ('Black And Blues'). 'Damage And Joy' is now being given a deluxe, expanded vinyl reissue. The double LP is reissued on both black and coloured 180g vinyl with remastered audio by Pete Maher (U2, The Rolling Stones, Jack White, Liam Gallagher), a heavy tip-on-printed gatefold sleeve, printed inner-sleeves and a 16-page booklet, plus bonus tracks and an alternative track-order. Included in this reissue and available on vinyl for the very first time is 'Ono Yoko' (originally only available on the Japanese CD version of the album), as well as alternative versions of 'The Two Of Us' featuring Sky Ferreira and 'Black And Blues' featuring Isobel Campbell.

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The Jesus And Mary Chain

2LP | 2023 | UK | Original (Fuzz Club)

32,99 €*

The Jimi Hendrix Experience

Release: 2023 / UK – Original

Genre: Rock & Indie

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Recorded at the Hollywood Palladium, Los Angeles in 2018, "Sunset 666" is a new live album from The Jesus and Mary Chain on Fuzz Club. In 1990, a young American band, full of a precise kind of noise and darkness, were special guests on the US tour being undertaken by a group who had noise and darkness, poise and catharsis of their own. The young band: Nine Inch Nails. Those headliners: The Jesus and Mary Chain. Almost thirty years later, an invitation was extended. The resulting tour ended with a run of six shows at LA"s Hollywood Palladium and the seventeen tracks captured on the "Sunset 666" double album were recorded from the desk on two of those nights. Sides A, B and C are from the final show, December 15. Those twelve songs were the full set that night, in sequence, meaning the show began with the here-we-f*cking-go drums of "Just Like Honey" and ended with the ferocious euphoria of an eight-and-a-half minute "Reverence". Side D of the vinyl record is taken from the December 11 show and serves almost as a mini-showcase of the "Automatic" album, featuring versions of "Blues From A Gun", "Between Planets" and "Halfway To Crazy".

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Are You Experienced EU Stereo Version

2LP | 1967 | EU | Reissue (Sony)

LP | 2023 | US | Original (Total Punk)

Release: 1967 / EU – Reissue

Genre: Rock & Indie

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All time classic album, including 'Hey Joe' & 'Purple Haze'!

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The Judges

Judgement Day

2LP | 2017 | CZ | Original (Island)

Release: 2023 / US – Original

Genre: Rock & Indie

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The debut LP from Melbourne Australia’s Judges. A 36-minute meditation on the power of THE Riff from some of the folks who brought you Smarts, Cereal Killer, and Living Eyes. Monster stomp dual guitar power punk in line with Radio Birdman at their most ripping. Dripping with grit, sweating out sleaze, and 100% Total Punk! Split release with Anti-Fade Records."

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The Killers

Direct Hits

Release: 2017 / CZ – Original

Genre: Rock & Indie

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LP | 2021 | EU | Original (Island)

The Killers

Pressure Machine

Release: 2021 / EU – Original

Genre: Rock & Indie

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10" | 2002 | UK | Reissue (Domino)

The Kills

Black Rooster EP

17,99 €*

Release: 2002 / UK – Reissue

Genre: Rock & Indie

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Percy Record Store Day 2021 Edition

The Kinks

LP | 1971 | Reissue (Sanctuary)

LP | 2016 | UK | Reissue (Virgin)

Release: 1971 / Reissue

Genre: Rock & Indie

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Record Store Day 2021 Release.

Limited edition, remastered, picture disc vinyl. 1LP 50th anniversary release of the 1971 British comedy film soundtrack album. Performed by THE Kinks with additional orchestral arrangements by Stanley Myers. Their ninth official studio album and last on the PYE label. First re-issue on vinyl for 20 years. Sleeve artwork and textured cover as per the original release. Produced in association with THE Kinks.

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The Kooks

Inside In, Inside Out

Release: 2016 / UK – Reissue

Genre: Rock & Indie

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LP | 2023 | UK | Original (Last Night From Glasgow)

The Kundalini Genie

False Highs, True Lows

Release: 2023 / UK – Original

Genre: Rock & Indie

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LP | 2020 | US | Original (House Arest)

The Last

Look Again (Standard)

43,99 €*

A Dream Is All We Know Ice Cream Vinyl Edition

Release: 2020 / US – Original

Genre: Rock & Indie

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THE LAST's album, Look Again, was recorded 40 years ago and never released. The short story is that The Last's debut, LA Explosion had made them one of the bigger bands in the LA scene playing shows with X, The Germs, even having The Go-Gos open for them a few times. Following the release of LA Explosion, The Last had major label attention but rather than sign and record using a label's money, the band decided to record it themselves, shop it around and sign with the highest bidder. Simple enough. They went into the newly created studio owned and operated by JO Julian of the band, Berlin, and recorded Look Again. Jo Julian wouldn't let them touch his fancy new board and insisted on mixing the record himself. The band hated the resulting mix and ended up shelving the record rather than let anyone hear it. Despite the band hating the sound of the record, their manager had some test pressings made to shop. This time, not one label made an offer. Those test presses now fetch over $800 on Discogs. Everyone thought the record was lost forever, even the band. Through some luck another set of tapes from those original sessions were recently discovered and the band was able to take the tapes to a new studio and mix Look Again exactly how they always envisioned the songs sounding. And this is the record we have for you today. After 40 long years, The Last Look Again is here.

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The Lemon Twigs

LP | 2024 | US | Original (Captured Tracks)

Release: 2024 / US – Original

Genre: Rock & Indie

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Everything Harmony Black Vinyl Edition

The Lemon Twigs

LP | 2023 | US | Original (Captured Tracks)

2LP | 2018 | EU | Original (4AD)

Release: 2023 / US – Original

Genre: Rock & Indie

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On Everything Harmony, the fourth full-length studio release from New York's The Lemon Twigs, the prodigiously talented brothers Brian and Michael D'Addario offer 13 original servings of beauty that showcase an emotional depth and musical sophistication far beyond their years as a band, let alone as young men. Everything Harmony successfully blends the brothers' distinct personalities while giving voice to their eclectic influences. Opening the album with the unassuming acoustic folk of plaintive "When Winter Comes Around," which echoes the sophisticated grandeur of classic Simon & Garfunkel recordings, they immediately switch things up to the sunny classic pop motif of "In MyHead." "Corner of My Eye" channels an Art Garfunkel-like vocal melody over a moody, vibraphone-tinged backing track suggesting the chamber pop of Brian Wilson. While they had no grand concept for Everything Harmony, both the D'Addarios felt a "palpable mood of defeat" prevailed while writing and recording it. "New To Me" was inspired by their shared experience with loved ones suffering from Alzheimer's, "What You Were Doing" is dressed in the tortured jangle of vintage Big Star, while "Born To Be Lonely," written after watching John Cassavetes' Opening Night, deals with what Brian calls "the fragility that often comes with age." Everything Harmony is a unified song cycle born of shared blood andcommon purpose. With two musical heads being better than one, there's no shortage of ideas to draw on. Their only impediments are time and the challenge of keeping up with their own prolific musical inspiration. "We share an intuition and tend to be influenced by one another," says Brian, "so the lyrical ideas on this record tend to complement each other. Writing has never been the issue for us. It's completing, editing and compiling that takes the time. We're trapped in a web of songs!"

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The Lemon Twigs

Go To School

Release: 2018 / EU – Original

Genre: Rock & Indie

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LP | 2008 | CZ | Reissue (Rough Trade)

The Libertines

Release: 2008 / CZ – Reissue

Genre: Rock & Indie

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Eggsistentialism Mint Green Vinyl edition

The Lovely Eggs

LP | 2024 | Original (Egg Records)

Eggsistentialism Transparent Blue Coffee Splatter Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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The Lovely Eggs return with their third collaboration with Grammy Award winning producer Dave Fridmann and more breath taking mind boggling art-work by illustrator Casey Raymond. "Eggsistentialism" sees The Lovely Eggs return after a near four ye...

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The Lovely Eggs

LP | 2024 | Original (Egg Records)

Sounds Of Green & Blue Black Vinyl Edition

Release: 2024 / Original

Genre: Rock & Indie

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The Lunar Effect

LP | 2024 | EU | Original (Svart)