Punk | Hardcore 322 Items

Containing the hits that were only deemed misses by the critics that condemned Oi! as some kind of subcultural fad that favoured football and violence way above the bloody good tunes that should by rights occupy the higher rank, 4 Skins, The Unreleased Radio & Studio Sessions encapsulates that energy at its finest. From formidable swarms of police brutality and political injustice, the underlying (and unyielding) socio-political messages experienced from the streets that resonated with every estranged clockwork skinhead of the day are bound to be ticked on every track. After the atmospheric crash of One Law for Them, dropped in amongst the Radio and blistering Bumper Sessions with Evil sitting squarely in its unpolished centre is the ska-inflected gallop of Seems To Me, an unreleased tune reinforcing the notion that there was more to Oi! than meets the laces.

Action Pact were a punk rock band from Stanwell, an isolated village right under the flight-path of London Heathrow Airport, inspiring this album title-song.àFormed in 1981 by guitarist Wild Planet, bassist & lyricist Dr. Phibes, and the then 15-year-olds drummer Joe Fungus and singer George Cheex, still school-kids when their Heathrow Touchdown EP was released in October 1981. BBC Radio 1 DJ John Peel played the single many times and booked them for their first session, recorded February 1982.àSigned to Jungle's Fall Out Records imprint, Action Pact"s label debut Suicide Bag EP went to the top of the British punk chart in July 1982.àFive more singles entered the indie charts including Yet Another Dole Queue Song, and a reworked London Bouncers, along with two albums, 'Mercury Theatre - On The Air' and 'Survival of the Fattest'.àA second John Peel session in '82 and a David Jensen BBC session in '83 were also recorded and broadcast - all collected together here for the first time.

Originally released in November 1982, ‘Sound of Music’ was the second album from ‘Clockwork punks’ the Adicts. Preceded by the release of the three track “Chinese Takeaway” EP, which also featured “Too Young” and “You’ll Never Walk Alone” - both included here as bonus tracks along with their subsequent hits ‘Bad Boy’ and ‘Tokyo’ and an unreleased version of Ramones’ classic ‘I wanna be sedated’ - the album was widely praised in the music press of the day with ‘Sounds’ saying “thank Christ for The Adicts. In this often grey and depressing world they entertain us, uplift us and unify us”. Thirteen slices of punk/Oi! fun that made history, in a luxurious one-time Gatefold edition with poster, including liner notes by Mark Brennan and a total of 5 bonus tracks!

The MY Life MY WAY album was originally released in 2011 by Nuclear Blast. Here is the official 2023 vinyl repress on Rebellion Records.

Recalling the ferocity of their earliest work with the unique harmonizing qualities that've helped define a thriving gen?eration in the So. Cal Punk scene, the reunited core team of Gurewitz, Graffin and Bentley have upped the anti again in sound, volume and density. The Process Of Belief rivals and surpasses anything they've accomplished to date, emotionally, technically, and tactfully. Each of the fourteen tracks follow their own paths, embodying thoughts of discontentment and discouragement, questioning authority and humanity along the way and react with resolve, filtered with virtue, and far surpass previously trained ideas of Punk music constraint.

16th (!) Bad Religion album! 16 songs in 35 minutes ... that's punkrock, folks!

After years (literally) of hunting, researching, tracking down cuts Artifix is proud to present All Bagged Up, the collected works 1977-1980. This LP represents everything the label could dig up by LA's infamous Bags. Featured on this LP are: Tracks 1-4: The Dangerhouse Recordings 1978 "Survive," "Babylonian Gorgon," "We Don't Need the English," "We Will Bury You." Tracks 5-8: Live at the Masque Recordings 1978 "TV Dinner," "Violent Girl," "Animal Cal," "Chainsaw." Tracks 9-13: Live in Portland, Oregon November 25, 1979 "7 and 7 is (Love)," "1,2,3," "Gluttony," "In Love With Romance," "Survive." Tracks 14-20: Assorted rehearsals, live, demos, and alternate takes. Includes a 4-page insert with liner notes written by Brendan Mullen.

Red w/ Bone & Purple Splatter Vinyl.I Wish I Could Stay Here is the debut studio album by English rock band Basement. After forming in 2010, the band released a demo and signed to Run for Cover. Following this, the band toured across the UK and Europe in late 2010 and early 2011. They recorded their debut album I Wish I Could Stay Here in May 2011 at Stuck on a Name Studios in Nottingham and released two months later. Following this, the group embarked on tours of the UK, the US and Australia. The album received favourable reviews from critics, and featured on Thrash Hits' top 20 albums of 2011 list."more soul, more emotion, and just more great songs" - Thrash Hits

Launched is the second album from German hardcore punk band, Beatsteaks. It was released in March, 2000 and follows the band's debut release 48/49 in 1997 on XNO Records. The album contains an interesting half acoustic cover version of a song by heavy metal band, Manowar, "Kings of Metal".

Beck's Pistols, Pöbel & Gesocks, Unwanted, Scumfuck, Raumschiff Wucherpreis - anyone who has had anything to do with punk rock in Germany in the last 30 years must have come across one of the activities of Willi Wucher from Duisburg or Dinslaken somewhere at some point. With his band – the change of name from Beck's Pistols to Pöbel & Gesocks was suggested by a certain brewery in the early 1990s – he has always been a man for the rough stuff, for alcohol-laden songs, the best-known of which starts with the wonderful refrain “Pöbel & Gesocks, Oi! Oi! Oi!” is one of the great classics of German punk rock.

The debut full-length from Bikini Kill originally released in 1993 on Kill Rock Stars

At its purest, there is little that can match the visceral thrill and empowering spirit of hardcore. As front-man of New York City hardcore kings Cro-Mags, this is something John Joseph knows very well, and with Up In Arms, he and his Bloodclot compatriots deliver a furious collection that hits hard on every level. "In this band we're doing what each of us have always done: give it our all," he states plainly. "We work hard, and we have a lot to say. Look around the planet - people are fed up with the corrupt ruling class. They destroy the planet and kill millions for profit, and the formula for our response is simple: Anger + applied knowledge = results. Don't just bitch. Change it." The results reflect the roots and passions of the individual members. Danzig/Murphy's Law guitarist Todd Youth was the first piece of the puzzle. "We've always talked about doing this record together, Todd had songs written and I had notebooks full of lyrics. In late September 2015, I went out to LA to do a triathlon and injured my calf muscle, so I couldn't race, and Todd said he could get some studio time. So, we went in and cut the demo. While there are things we may perceive as a negative in our lives, in fact the universe has a bigger plan, and that experience ultimately resulted in the record." Having been friends with Queens Of The Stone Age and Danzig powerhouse drummer Joey Castillo for three decades, the two musicians had long admired each other's work, and their collaboration has been a long time coming. Following Castillo's suggestion of bringing in Nick Oliveri (Queens Of The Stone Age/The Dwarves) to handle bass duties, the lineup was complete. The songs that comprise Up In Arms manifested after the quartet plugged in and let the music speak for them. "We didn't decide to try to play anything, these are the songs that happened when we started jamming, and I love this band because there are no egos involved. Our goal is to make the best music possible, period. I love it when those guys contribute with melodies, etc., and I've even helped with some of the arrangements. Because we all think alike, our lyrics deal with the issues of the day, and that makes for better songs." Every track on Up In Arms lives up to the rallying cry of the album's title - the bursts of high energy hardcore act as the perfect accompaniment to Joseph setting his sights on injustice and the seemingly endless flaws of the contemporary world. The breakneck thrashing of "Slow Kill Genocide" is an anthem for everyone sickened by those responsible for "killing the planet and all its inhabitants through industry and war. They're fucking maniacs and must be stopped." The suitably titled "Manic" attacks with bared fangs, Joseph making it clear that you can only push someone so far before they will react with violence - a call to arms for the disenfranchised who want tomorrow's world to be better than today's. Tracked at NRG in Los Angeles, the raw, old-school production that leaps out from the speaker comes courtesy of producer Zeuss (Hatebreed, Revocation), and the record was mixed by Kyle McAulay at NRG. From the moment the opening title track explodes to life, it's clear that everyone involved is having a blast and playing from the heart, and that this is no frills / no bullshit music at its most passionate - every song evoking mental images of utter chaos in a heaving mosh pit. For anyone approaching the album for the first time, Joseph has only this to say: "Turn the volume way the fuck up!" And with plans to tour everywhere, Bloodclot will be getting in a lot of faces in 2017 and beyond. "We are already writing material and the next album is in the works. But, for now, all we want is to hit the stage to support 'Up in Arms', and every single night leave every ounce of ourselves up there."

Yep, there is a repress of this masterpiece. And as always licensed by Epitaph Europe. Artwork was done by long term Breach designer Pierre Johansson and is printed with silver ink & UV lacquer on 350g heavy gatefold jackets. Nothing more to add.