Jazz | Fusion Vinyl 10 Inch 46 Items

For RSD 2024 The Doors Of Perception Is Presented In A Unique Blue Swirl Colored Vinyl Pressing The Doors Of Perception is among the most experimental and innovative releases by famed jazz vibraphonist Dave Pike. Recorded in 1966 and released in 1970, the album finds Pike indulging in full-fledged psychedelic jazz, with trippy grooves and a new sound. Produced by Herbie Mann, The Doors Of Perception features an all-star cast of musicians, including Eddie Daniels, Lee Konitz, Don Friedman, and Chuck Israel. Their talents are complemented by a wide range of sound effects, from echo chambers to piped-in applause to thunderstorms to fuzzy distortion, making for a dynamic and unique listening experience.

Thundercat presents “drunk”- a 23-track epic journey into the often hilarious, sometimes dark mind of the Grammy-winning singer/ bassist - featuring a few of his friends joining him along the way including: Kendrick Lamar, Pharrell, Michael Mcdonald, Kenny Loggins, Wiz Khalifa, Kamasi Washington and Brainfeeder Mastermind Flying Lotus.

Due to public demand, new pressing of Oiro Pena's debut 10 inch release. Spiritual flute jazz, all compositions & all the instruments played by: A.E. Vauhkonen”

Limited to 100 copies, available exclusively at HHV.

Carsten Erobique Meyer's new sub-label B-Sexy releases the first instrumental record by Reverend Christian Dabeler. The record comes with a booklet of sheet music. Carsten was responsible for the graphic design.

In 1957, Miles Davis is in Paris for an engagement at the Club Saint-Germain and a wonderful concert at the Olympia Theatre. Once in Paris, Miles came into contact with many members of the modern existentialist cultural environment in the neighborhood of Saint-Germain-des-Près. These include the director Louis Malle who had just finished his first movie : "Ascenseur Pour L'échafaud". Jean-Paul Rappeneau, a Jazz fan and Louis Malle's assistant at the time, suggested asking Miles Davis to create the film's soundtrack. A private sceening has been organized.
On December 4 1957, Miles Davis brought three French Jazzmen - Barney Wilen on tenor saxophone, René Urtreger on piano, Pierre Michelot on bass and his american compatriot Kenny Clarke on drums - to the recording studio Le Poste Parisien without having them prepare anything. Miles Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room. This recording was made at night in a most informal atmosphere.
The soundtrack was not released on it's own in the USA but ten songs from this soundtrack were released as one side of the album "Jazz Track" which received a 1960 Grammy nomination for Best Jazz Performance, Solo or Small Group.
"Ascenseur Pour L'échafaud" has become a great achievement of artistic excellence.

10" in top-on sleeve, limted to 300 copies. Yiri Yiri! Boom! A year and a half after their debut for Sdban Ultra, Brussels-based afrogroove formation M.CHUZI returns with a stunner of an EP.Yiri Boom! offers a variety summery sauces to assaison this spring with a refreshing sound, catchy songs and some catchy features.

Captivated by a musical residency in Benin, this time the band relocates to the Black Atlantic, with the agogo bell as their guide. Literally, because in "Mojo Picon", drum legend Stéphane Galland actually performs a solo on cowbell. A world's first. Together with singer Vanesa Diaz Gil, M.CHUZI travels from the Canarias to Cuba with an innovative cover of the Cuban mambo classic "Yiri Yiri Boum". Following in the footsteps of this iconic song, the Brussels gents finally cross back across the ocean in the danceable "Pepper Sauce", in which the heyday of Fela Kuti's afrobeat resonates with an irresistible guitar riff, a rippling bass, a rousing shuffle groove and punchy horns.

Markus Acher (best known as singer of The Notwist) typically produces his own music under the name Rayon – this time, however, is a different story. Using his real name, he sends a signal re: the circumstances he recorded the music in - at home in his old apartment in Munich, in a private setting, in a time when there was hardly anything else available. Accordingly, and rather fittingly, the four songs represent a bridge to the outside world: Acher tore the doors to his balcony wide open, inviting the outside in , capturing its sound on tape: rain falling, engine noise of passing cars. And at the same time the songs pushed outward, into that sphere that remained off-limits to us for some time (“Like a plane they can go everywhere”).

The four tracks - arranged for harmonium, acoustic guitar, banjo, glockenspiel, percussion, a children's harp and vocals - were released digitally in 2021 via the Japanese independent platform Minna Kikeru, run by Saya (member of the duo Tenniscoats and Markus Acher's bandmate in Spirit Fest), among others. For two songs of «Like A Plane», Saya contributed vocal tracks as well.

Limited 10" in special tip on sleeve.With influences including Kamaal Williams, Roy Ayers, The Breathing Effect, Stuff. and Black Midi, their sound is rich in texture and depth with an underlying, undeniable groove throughout.

Lo-Fi beats of high interest limited to 100 handnumbered copies.

Following the release of his exhilarating recent album Bring Backs, London based producer, pianist, bandleader and MC Alfa Mist today announces news of an upcoming EP, Two For Mistake alongside the track 'Bumper Cars'. The EP, out via Anti-, will be available digitally on 17th November before getting a physical 10" vinyl release on 18th March 2022. Alfa's upcoming tour will be starting in November in the UK and starting Janaury for mainland Europe. The run will be the first time fans will be able to hear tracks from Bring Backs, and Two For Mistake, in a live setting. Bring Backs marked Alfa's first release for the label Anti- and is also the most detailed exploration of his upbringing in musical form, one which has resonated with audiences to the tune of 7.5 million culuated streams to date. The album's nine tracks of groove-based intricacies, lyrical solipsism and meandering fragmentations are tied together by a remarkable poem written by Hilary Thomas expressing the sensuous realities of building community in a new country. Entirely written and produced by Alfa, the album was recorded in London with a core band of longtime collaborators including Jamie Leeming (guitar), Kaya Thomas-Dyke (bass and vocals) and Johnny Woodham (trumpet).

The impact of Weldon Irvine’s music across a wealth of genres cannot be overstated with his jazzy piano playing and compositions regularly passed down to newer generations. Artists like Q-Tip and Mos Def are noted admirers of the jazz-funk artist, and the distinct sounds of Irvine echo across the ages in samples etched into hip-hop history. The album version of Time Capsule was originally released in 1973, and this is a brand new 10 inch EP edit aimed at DJs looking to incorporate its album tracks in their set. While the original album had social commentary, and spoken word reflections signpost the way through its otherworldly jazz, this EP contains just the music. Two versions of "Deja vu" on side A, and "Feelin' Mellow" and "Watergate --- Don't Bug Me!" on side B.

22aTP02 is part of a new testpress series on 22a records. The "tp" series is a very limited vinyl only hand-stamped release. The two tracks from this record are taken from a Tenderlonious live show recorded in 2019 with a full band (flute, trumpet, piano, bass & drums). Side A is a live version of the Headhunters jazz/funk classic 'Butterfly,' which the band handle with finesse - a fitting homage to its creators. Side B is an original composition by Tenderlonious. 'Prayer for Yusef' is a tribute to the late Yusef Lateef, who's many recordings have inspired Tenderlonious over the years. This release is available on limited hand-stamped 10" vinyl.

Pressure is the D.O.A. of some and the D.N.A. of others. For The Du-Rites, it's the latter. Pressure ain’t nothin’ but potassium!



Jay Mumford f/k/a “J-Zone” (drums, keyboards, percussion) and Pablo Martin (guitar, bass, keyboards) used the feared ‘P’ as both the impetus behind and the title of their sixth and most musically adventurous release. Coming off 2020’s A Funky Bad Time LP, how would the NYC-based funk unit follow up in a world where music fans hope live shows return (but not really), want songs instead of an avalanche of 60 second clips to scroll past (but not really) and a lapse back into lockdown never seems far off? And not only follow up, but not repeat? Add vinyl pressing plants offering turnaround as long as nine months and tour plans almost always in pencil, pressure for musicians to write and record almost impossibly fast or be doomed to the algorithm black hole is pumping. The odds are stacked, but odds make us turn corners.



Pressure is half the length but twice the density of its predecessors. Six tracks deep on wax (seven digitally), it’s more orchestrated, a bit more complex, but never, ever sacrificing grease and groove for academia. The hip-hop-and-dub-meet-funk of their 2016 debut; the ‘60s soul nod of 2017’s Greasy Listening; the cinematic "cop show funk" of 2018’s Gamma Ray Jones and the darker psychedelia of A Funky Bad Time - none reappear on Pressure. A subtle jazz leaning is there, but it’s busted and unrefined in a way only The Du-Rites would du. The title track and “Bird Brain” go there. Main single, “The Squeeze,” puts Italian Soundtrack-style vocals and strings in the mix with drippy guitar, reggae influence, Barry White-style ad-libbing and groove drumming for the most distinct and lush tune in the band’s catalog. “Brother Yizar” goes full-on park jam on a percussive, uptempo rampage and the closer, “Fly Swatter,” swings hard with whirling dervish Hammond organ and walking basslines. The mockingly-titled “Math Rock” is the closest thing to any previous Du-Rites, but the wild twists and turns are uncharted territory.



In an ever-uncertain musical landscape, Pressure is The Du-Rites finding a way. Like they always du. But du-in it differently. Live and/or on wax, The Du-Rites have played alongside the likes of Eddie Palmieri, Robert Glasper, Ghostface Killah, Wax Tailor, The Skatalites and members of Sun Ra Arkestra. Individually, Jay and Pablo, as drummer and guitarist, respectively, have worked with Danger Mouse, Lord Finesse, Madlib, Tom Tom Club, Broken Bells, Soul Supreme, Ben Pirani and many more.

Record Store Day 2021 Release.

Wanubalé – nine guys from Berlin, inspired by the city's fresh Jazz scene and distinct club culture. This band sets out to define their own, highly danceable version of Jazz, Neo Soul and Funk.
The Wanubalés are first rate musicians. They tend to take their time writing arrangements, yet they are careful not to overly emphasize their jazz skills. Songwriting is a collaborative affair, everything is developed organically. Just like the band name, which dates back to the days of fooling around in the schoolyard, playing with syllables ("nuba" came first). Sound was crucial. Some say "Wanubalé" means "brother" in Swahili.
Wanubalé's instrumental debut album was recorded by Axel Reinemer in Berlin's Jazzanova Studio in 2018. The musicians don't hide their influences: Snarky Puppy, Fat Freddy's Drop, plus younger acts like Hiatus Kaiyote and Nubiyan Twist. But Wanubalé do their own thing, having produced and arranged the album. Wanubalé: four horns, two drummers, guitar, bass, keyboards. Nine musicians with a knack for funky breaks, might brass sounds and great melodies.

Limited edition for Record Store Day 2018!

Limited Edition for Record Store Day 2018!

Sdban Ultra is very pleased to present a sampler of Steiger's debut album 'And Above All' on a limited 10" vinyl for Record Store Day 2018. This release marks their introduction on Sdban Ultra, their sophomore album is expected next fall.

Diego Krause is next on Blind Box Series with three originals and the usual Blind Box mix from the label heads.

Limited edition for Black Friday RSD 2014!

Back to back versions, old to the new!

Ville Vannemaa Cassiopeia - Ring The Bell
Limited 250 10” inch – sealed with hype sticker.
“Two great groovy jazz tracks penned by one of Finlands finest reedmen, first time on vinyl!”

A limited edition SUN RA 10-inch EP cut at 45 RPM. Four tracks, two unreleased. Features artwork by Georgia Hubley (Yo La Tengo), lettering by Archer Prewitt. Mastered by Dave Cooley. A-1 "Just Friends" 7:22 (John Klenner and Sam Lewis) This live recording was only issued on a rare 1982 Saturn album entitled Just Friends. So few copies of Just Friends were pressed, that this track is almost unknown to Ra fans. This is the first reissue of this track in any format. The location and actual date of the recording are unknown. A-2 "Just Friends" 3:36 (John Klenner and Sam Lewis). This is a recording made around 1960 of Sun Ra playing organ in his Chicago apartment while softly singing the song "Just Friends." It has not been previously issued in any format. B-1 "Under the Spell of Love" 6:04 (Sun Ra © Enterplanetary Koncepts Bmi). This live recording was also issued on the rare 1982 Saturn album Just Friends. This is the first reissue of this track in any format. As with the title track on side A, the location and actual date of this performance are unknown B-2 "Cherokee" 4:12 (Ray Noble). This work was composed by Ray Noble. "Cherokee" was a 1940s big band standard, and was a big hit for Charlie Barnett. It was also recorded by Charlie Parker, Count Basie, Duke Ellington, Lionel Hampton, Bud Powell, and many others. This is the only known recording of the title by Sun Ra. There is no information about the date, location, or personnel. It sounds like a home rehearsal, and probably dates from the 1970s. It has not been previously issued in any format.

Nick Walters returns to his D.O.T. imprint with a limited edition 10", featuring a selection of two ragas recorded in collaboration with the Pakistani musicians Kashif Ali Dhani (tabla) and Muzamil Hussain (sarod). This 10" is the forerunner for a full album due for release on D.O.T. in early 2023, which features tracks born out of a trip to India in 2019.

During a month long trip backpacking around India, Walters started piecing together a new album, taking inspiration from the sights, sounds, food and culture. He also took a digital recorder with him, recording samples whilst on the road that he could use for the album. The two tracks on this record feature some of those samples and are an exploration of ragas - the North Indian classical music he encountered on his trip. Of course, the exploration of Hindustani Classical music is a well trodden path for many great musicians, led in the 60's and 70's by jazz heroes such as John Coltrane and Don Cherry, and more recently Walters' long time collaborator and friend Tenderlonious. Both tracks on this limited edition 10" focus on traditional ragas and feature Jaubi band member and tabla master Kashif Ali Dhani, and Muzamil Hussain on sarod.

'Ranakpur' is a raga using the mode of Raag Charukeshi, a scale referred to in western music theory as the aeolian dominant. It is said to incite feelings of pathos and devotion in the listener, and inspiration for this recording was drawn from visiting the ornately carved Jain temple at Ranakpur in Rajasthan, India.

'Raga for Don' is a tribute to Don Cherry, and uses the same mode (Raag Malkauns) which he explores on his track 'Malkauns' from the classic album 'Brown Rice'. The notes of this raga correspond to the western pentatonic scale, and are said to have a soothing and intoxicating effect.