Electronic & Dance Sale 2626 Items

Release: EU – Reissue

Genre: Electronic & Dance

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Quex-rd / Kin Up, You're Already Dead

AFX / Autechre

12" | US (Saint)

Release: US

Genre: Electronic & Dance

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12" | US | Original (Sound Signature)

Theo Parrish

Levels

25,64 €* 26,99 € -5%

Release: US – Original

Genre: Electronic & Dance

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Mannix

Standing Right Here

12" | EU (Dafia)

12,59 €* 13,99 € -10%

Release: EU

Genre: Electronic & Dance

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Blackfilm

Zero One Seven

2LP (Denovali)

35,09 €* 38,99 € -10%

Genre: Electronic & Dance

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Relationships Between Inner & Outer Space

Moon Zero

23,99 €* 29,99 € -20%

Release: EU

Genre: Electronic & Dance

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Oneirogen

Veni Nox Anima

19,99 €* 24,99 € -20%

Release: EU

Genre: Electronic & Dance

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Oneirogen

Hypnos

2LP | EU (Denovali)

31,19 €* 38,99 € -20%

Release: EU

Genre: Electronic & Dance

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Oneirogen

Kiasma

2LP | EU (Denovali)

31,19 €* 38,99 € -20%

Release: EU

Genre: Electronic & Dance

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Saffronkeira

Tourette

2LP | EU (Denovali)

31,19 €* 38,99 € -20%

Release: EU

Genre: Electronic & Dance

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Talvihorros

Music In Four Movements

19,99 €* 24,99 € -20%

Release: EU

Genre: Electronic & Dance

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Talvihorros

Some Ambulance

19,99 €* 24,99 € -20%

Release: EU

Genre: Electronic & Dance

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Forest Management

After Dark

2LP (American Dreams)

27,19 €* 31,99 € -15%

Genre: Electronic & Dance

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Neville Jacobs

LP (Harmonized)

20,39 €* 23,99 € -15%

Genre: Electronic & Dance

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Known Shaz

Flowerstone

LP (Raw Tapes)

23,79 €* 27,99 € -15%

Genre: Electronic & Dance

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Out In The Streets Again: The Soul Sounds Of Scept

LP (Scepter)

25,49 €* 29,99 € -15%

Genre: Electronic & Dance

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Space Streakings

7 Toku

LP (Skingraft)

19,54 €* 22,99 € -15%

Genre: Electronic & Dance

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Present

Break The Dawn

LP (Styles Upon Styles)

16,99 €* 19,99 € -15%

Genre: Electronic & Dance

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Ovum Hum

Summer Casts Shadows

LP (Kowloon)

20,39 €* 23,99 € -15%

Genre: Electronic & Dance

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Electronic Music: It Started Here

2LP (Not Now)

32,29 €* 37,99 € -15%

Genre: Electronic & Dance

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Vidnaobmana

The Circuit Abstract

LP (Tonefloat)

13,59 €* 15,99 € -15%

Genre: Electronic & Dance

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Black Hat

Thought Of Two

LP (Hausu Mountain)

18,89 €* 20,99 € -10%

Genre: Electronic & Dance

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Jordan Reyes

LP (American Dreams)

21,59 €* 23,99 € -10%

Genre: Electronic & Dance

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Metronomes

Going Somewhere

LP (IT)

30,59 €* 33,99 € -10%

Genre: Electronic & Dance

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Call On Me (Knxwledge Remix) / Call On Me Feat.

Mabanua

7" | JP (Lawson)

14,99 €* 19,99 € -25%

Release: JP

Genre: Electronic & Dance

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2LP | Original (Bella Union)

Wrangler

A Situation

37,04 €* 38,99 € -5%

Release: Original

Genre: Electronic & Dance

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LP | Original (Wharf Cat)

Nina Ryser

Paths Of Color

15,40 €* 22,99 € -33%

Release: Original

Genre: Electronic & Dance

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12" | EU | Original (Ggm Raw)

DJ Smurf

Ggmraw006

17,99 €* 19,99 € -10%

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Gabberhead)

Gabberhead Vinyl 4

Release: EU – Original

Genre: Electronic & Dance

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Omar Santana Vs Sadistic Sounds

I Roll Gangsta

12" | EU | Original (H2OH)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Hardcore Classic)

The Alliance

Release: EU – Original

Genre: Electronic & Dance

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The Vinyl Collection Vol. 2

Lunatic

12" | EU | Original (Hell's)

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Pane Salame & Musica Industriale)

Hammered Trauma

Trauma E.P.

Release: EU – Original

Genre: Electronic & Dance

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K.N.O.R. Picture Disc Edition

12" | EU | Original (Passionate Music Label)

17,99 €* 19,99 € -10%

Release: EU – Original

Genre: Electronic & Dance

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12" | EU | Original (Passionate Music Label)

Start The Pan!C

17,99 €* 19,99 € -10%

Release: EU – Original

Genre: Electronic & Dance

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LP | 1966 | Reissue (Mapache)

David Blue

23,99 €* 29,99 € -20%

Release: 1966 / Reissue

Genre: Electronic & Dance

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2LP | 1972 | EU | Reissue (Distance)

Don Bradshaw-Leather

Distance Between Us

34,19 €* 37,99 € -10%

Reality Gates Record Store Day 2023 Edition

Release: 1972 / EU – Reissue

Genre: Electronic & Dance

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Reissue of this cult 1972 album which featured on the infamous Nurse With Wound List.

During the long, dark hangover of the Summer of Love, the classically-trained Essex prodigy approached CBS Records with demo recordings. A forward-thinking A&R executive must have seen a potential revenue stream in Don Bradshaw-Leather's avant-classical noise. The artist was given an advance to record an album. He used the funds to create a large studio in Sussex with many instruments including an actual church organ. Here, on his own, without the use of any electronic sequencing, he recorded "Distance Between Us" using simply multitrack tape, layering each part of the composition. Upon hearing the product of their financial investment - four side-long tracks of blurry organ drones, frantic piano tinkling, and ritualistic percussion - CBS got cold feet.

The album was self-released on Bradshaw-Leather's own Distance imprint; a vanity label established for the sole purpose of releasing the album. The sleeve art is full of mysteries, from the misspelling of "Bradshaw" ("Bradsham"), to the coal-blackened visage of the bohemian madman on the cover (dbl himself?), to the rear photo collage depicting the same madman accosting a nude woman. The music isn't any less mysterious; shapeless symphonies of smeared-out Mellotron, tribal drums, and wordless vocals. Don Bradshaw-Leather passed away in the 90's.

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Steve Birchall

LP | 1973 | EU | Reissue (Soave)

31,34 €* 32,99 € -5%

2LP | 1974 | EU | Reissue (Cat In The Room)

Release: 1973 / EU – Reissue

Genre: Electronic & Dance

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Soave Records dusts off in limited edition the psych/synth album by Doctor Steven T. Birchall recorded in 1973 in Indiana, U.S.A. with the following equipment: Vcs-3 (The Putney) by EMS, Ampex Mm-1000 16 trk, dbx noise reduction, SpectrasSonics Console, Studer A80 Recorder, Eventide Clockworks, Instant Phaser, Cooper Time Cube, EMT Reverb. The absolutely penetrating high tones of the opening track 'Music Of The Spheres' announce us that we are on board, passengers in the hands, or perhaps better to say in the mind, of Birchall who aims to go beyond those "normal" boundaries that we call reality. It is a new world of music that still amazes after half a century. A higher stage of truth projected into the cosmos.

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Kyriakos Sfetsas

Smog

27,99 €* 34,99 € -20%

LP | 1977 | EU | Reissue (Music On Vinyl)

Release: 1974 / EU – Reissue

Genre: Electronic & Dance

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The newly established label Cat in the Room, created by Goodheart Productions, re-releases for the first time after almost fifty years the legendary work Smog by Kyriakos Sfetsas, one of the most important Greek contemporary composers. At the same time, in collaboration with the composer and The Hubsters, which is responsible for the digital distribution, it presents for the first time the majority of his discography in digital format.

Smog is an electro-acoustic work in five parts of equal duration (18 minutes) divided into several variable sequences. It was composed as the music score for the ballet Smog commissioned by the choreographer Michel Caserta. The work was premiered on October 18, 1974, by the Ensemble chorégraphique de Vitry at the Théâtre Jean-Vilar in Vitry-sur-Seine (Paris).

As a musical work, it has acquired over the years the scope of a legend in the electro-acoustic & avant-garde scene, for its richness and value as a composition, the composer's ingenious use of the means available at the time regarding the production of electric sounds, and their combination with natural sounds, as well as for the four-channel recording and live performance.

A new sound mastering and artwork was developed for this release in collaboration with the composer, whose liner notes are included on the cover.

Smog will be released on December 9, 2022, on a 180gr. double vinyl edition

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Andre Hazes

Eenzame Kerst

13,49 €* 26,99 € -50%

Release: 1977 / EU – Reissue

Genre: Electronic & Dance

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Hideki Matsutake, Chojuro Imafuji, Masashi Komatsubara

Edo Black Vinyl Edition

LP | 1977 | EU | Reissue (Soave)

LP | 1978 | EU | Reissue (Superior Viaduct)

Release: 1977 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Edo” is a cosmic ambient experimental masterpiece conceived in 1977 by Masashi Komatsubara and developed alongside with Hideki Matsutake (a.k.a. Logic System and reductively defined by many as the "fourth member of the Yellow Magic Orchestra"). As a true sound scientist, he pours all his efforts into this record, and aimed at the widest possible use of an electronic instrument that was at the forefront at that time — the Moog IIIc. He extends his research by trying to break down the last wall between modernity and the past: the union and eurythmy between artificial sounds and traditional sounds. All this through a perfect three-way collaboration together with the shamisen musician Konae Imato, and the creation of a unique and extraordinary charming work dedicated to the double soul of the capital of Japan: ancient Edo, now the current day city of Tokyo.

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Harold Budd

The Pavilion Of Dreams

28,49 €* 29,99 € -5%

7" | 1979 | EU | Reissue (Melodies International)

Release: 1978 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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For five decades, Harold Budd stood on the forefront of the West Coast avant-garde. Born in Los Angeles, he studied with Schoenberg-pupil Gerald Strang and began teaching at CalArts in 1970. While searching for his own voice, he was influenced as much by abstract expressionist painters as by John Cage and Morton Feldman. In his work, Budd brought delicate, slowing-moving melodies to the foreground – creating a new musical language based on “eternally pretty music” and smooth surfaces. In the early ’70s, Budd started an extended cycle of compositions that would comprise The Pavilion Of Dreams. For Budd, the album was a signpost for a new direction in thinking about music: “The Pavilion Of Dreams erased my past. I consider that to be the birth of myself as a serious artist. It was like my Magna Carta.” Produced by Brian Eno in 1978, The Pavilion Of Dreams stands toe-to-toe with another minimalist masterpiece also released that year, Steve Reich’s Music For 18 Musicians. Budd’s gorgeous pieces reveal a lightness of touch that draws the listener in, while sublime voices float in and out as if in a recurring dream. Featuring saxophonist Marion Brown and multi-instrumentalists Gavin Bryars and Michael Nyman, The Pavilion Of Dreams remains a master class in exquisite timbre and shimmering texture. The Pavilion Of Dreams was both the final release on Eno’s Obscure imprint and a transition point towards his seminal ambient series. This first-time reissue is recommended for fans of Ryuichi Sakamoto, Jon Hassell and Mark Hollis.

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Majik

Back Into Your Heart

16,14 €* 16,99 € -5%

12" | 1979 | US | Reissue (Mesh-Key)

Release: 1979 / EU – Reissue

Genre: Electronic & Dance

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A poster is included. With Back into Your Heart, Majik pull through with a strong up-tempo disco tune that embodies Mitchell’s sound as well as a level of modernity that might explain why it has remained largely unnoticed up until now. Licensed and re-mastered, MEL010 comes forth in its original 7″ format with a folded 14″x14″ poster designed by Mafalda. With its latest reissue, Majik’s Back into Your Heart - Melodies International dug deep into the back catalogue of Hi Records, the legendary soul label from Memphis founded in the 1950s. Originally signed as a recording artist, Willie Mitchell took the reins of the label and guided it through its most successful period in the 1970s, notably producing a string of studio recordings for Al Green, Syl Johnson and O.V. right among other eminent soul musicians of the time.

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Tolerance

Anonym

25,59 €* 31,99 € -20%

Release: 1979 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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Packaged in an old school, tip-on sleeve. Includes hi-res digital download.

Legendary debut album by Junko Tange (mystery woman who showed up on the NWW list), originally issued by Osaka’s Vanity Records in 1979. Dadaesque recitations and sparse guitar, piano and electronic meanderings combine for a beguiling, hypnotic dreamworld. Officially licensed from the custodians of Yuzuru Agi's Vanity Records archives, this edition has been fully remastered from new transfers of the original analog tapes by Stephan Mathieu.

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Slow (Motion And Movement)

LP | 1980 | Reissue (Be With)

25,19 €* 27,99 € -10%

LP | 1980 | EU | Reissue (Dead Mind)

Release: 1980 / Reissue

Genre: Electronic & Dance

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Welcome to library breaks *chopped 'n screwed*! Slow (Motion And Movement), originally released on Sonoton in 1980, is super-sought-after and full of crazy dubby, super SLLLLLOOOOWWWWW and super HEAVVVVVY library breaks. It's also home to blinding new age/synthy tracks that are equally great. It's really varied throughout, but all absolutely fantastic.

Slow features KPM/Bruton/Sonoton-legend John Fiddy, the mighty Sonoton founder and composer, arranger and conductor Gerhard Narholz in 2 of his best-loved guises - Sammy Burdson and Norman Candler (get it?) - as well as a couple of fine offerings from Antonio Campo.

Heavy opener "Slow Business 1" is veeeerrrrrrryyyyyy slooooooooow with the phased drums so beloved of Narholz but this time delivered by Campo, with a proud, deliberate piano melody and great bassline adorning the creeping rhythm. "Slow Business 2" is equally as slooooooow but without any melodic decoration. Just pure phased drums, folks! Get sampling. "Moody You" is Narholz's first track on the record and what a beauty it is. A languorous, insouciant, slo-mo guitar soul track with warm synths, electric piano and heavy drums. It sounds a wee bit like an erotic film score, and all the better for it. "Slow Groovement" is Campo's final contribution and it's definitely his best. It's an ace, moody-yet-melodic crime/blaxploitation track with gorgeous percussive elements, mellifluous Rhodes and twinkling piano over a fantastic bassline and drums with some great electric guitar soloing halfway through.

"Slow Reactor 1" is Narholz again, under his Burdson pseudonym, and it's him all the way, now, joined by John Fiddy for half the tracks. This one is a tense, phased, slo-mo thriller with mysterious percussive elements and ominous strings. "Threat To Research" contains mysterious, dramatic sounds and heaps of string-assisted tension whilst "Ion Exchanger" is replete with repetitive, strange accents and sounds; all half-tumbling drums and dead tense, again. Truly, a taut experience and ideal for adventurous sample-based beat-heads. "Wave Motions" is a real highlight and the first to feature John Fiddy. It's a beatless ambient banger with slowly changing sound waves. It sounds like Angelo Badalamenti would if he were crafting strung-out teutonic library madness in 1980. The A-Side closes with "Slow Motion Link" which is over waaaay too soon but just simply needs looping. Trust us. Phenomenally dope!

Flip over for "Scenic Vision 1" for here, ladies and gentlemen, we go sublime. It's an absolutely stunning ambient wonder, with slowly changing textures and colours that create a peaceful, gliding, tranquil atmosphere of sheer bliss. You will not want it to end. Whilst "Scenic Vision 2" adds a bass melody, "Scenic Vision 3" uses the same melody but renders it isolated and lonely in the background. Haunting, hypnotic and hyper-beautiful. "Study In Brown" is s a lengthier number, with room to stretch out, and features Fiddy back in the game. Again, a slow, isolated melody gradually segues - by way of Fiddy's mournful electric guitar solo - into a slow heavy rhythm with rumbling, groovy bass and stratospheric drums.

"Deja Vu 1" weaves swirling, disorientating magic. It's described on the original sleeve simply as "indefinite arpeggios inexplicable vision" and we can't put it any better ourselves. "Deja Vu 2" sounds like you've heard it before, it's "as above with melodic line" and really is fun. "Glistening Surface" sounds exactly as you'd expect, all frisson-inducing movements, slow waves and generally peaceful scenic sounds. This remarkable library record closes with "Laser Fight", blasting "utopian percussive sounds" that totally get under your skin like fireworks through your veins. A neat trick!

Established in Munich in 1965 by Gerard and Rotheide Narholz, Sonoton introduced library music to Germany. Initially intended to cater to the country's new TV market, the library also provided an avenue for Gerhard Narholz's astonishing musical prolificacy, and soon became a haven for a wide range of European composers and musicians. In 1969, Sonoton struck a deal with the British label Berry Music for international publishing rights, exposing its catalog to a worldwide audience; when Berry was bought out by EMI in 1973, Sonoton transitioned into a full-fledged international label, with successes in the library and commercial fields and many innovations to its credit. Now a worldwide operation with hundreds of producers and composers under its employ, Sonoton nonetheless remains an independently run business still helmed by its founders - a remarkable achievement in an era when nearly every other major library has been absorbed by a multinational conglomerate.

The audio for Slow (Motion And Movement) has been remastered by Be With regular Simon Francis, ensuring this release sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the original, iconic sleeve has been restored here at Be With HQ as the finishing touch to this long overdue re-issue.

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Plus Instruments

79/80

27,54 €* 28,99 € -5%

12" | 1981 | EU | Reissue (Fulltime)

Release: 1980 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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While she was still a member of Nasmak, one of the leading bands of the Dutch ultra-movement, Truus de Groot started Plus Instruments in 1978 with herself as the sole member. When the project evolved, she found a wide range of rotating collaborators like Michel Waisvisz, Lee Ranaldo and James Sclavunos. Plus Instruments was about freedom and the live performances were largely improvised. The sound minimal but captivating. The music always came from within, but De Groot was also triggered by bands like Red Crayola, Suicide, DAF, Wire, Per Ubu, Devo and the No Wave scene in NY. She was always experimenting with primitive multi-track recording and whatever crappy gadgets she could find. Always looking for a gritty, dirty sound and bizarre overtones.

At a young age she travelled to New York and began to immerse herself in the nightlife of the city that never sleeps. Here she found true creativity, passion and expression. The club scene was alive but highly competitive, so this fearless Dutch girl would just knock on promoter’s doors to get gigs booked at places like CBGB’s, Peppermint Lounge, Underground and the Pyramid. De Groot eventually settled in the United States and never stopped experimenting with sound. In recent years she reinvented Plus Instruments and led the group into new territory.

The recordings for this LP were made by De Groot at home and the music is experimental, minimal, industrial but also playful, sounding nothing like most of the later material. 14 tracks in total of which 7 are taken from the elusive and impossible to find self-released debut cassette as ‘Truss Plus Instruments’ which was sparingly distributed by Nigel Jacklin and his legendary Alien Brains fanzine in 1980. The remaining 7 tracks are from the same period (1979-1980) and were carefully selected from the vast archive of De Groot. We are glad to present this anthology that serves as a long overdue testimony to the formative phase of a unique female pioneer of electronic music.

200 copies on black vinyl with insert.

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Kano

New York Cake

18,04 €* 18,99 € -5%

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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Open Space Motion (Underscores)

Klaus Weiss

LP | 1981 | EU | Reissue (Be With)

26,59 €* 27,99 € -5%

LP | 1982 | EU | Reissue (Bureau B)

Release: 1981 / EU – Reissue

Genre: Electronic & Dance

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They say: "Contemporary synthesizer sounds illustrating wide open space activities, environment and research." We say: Panoramic proto-techno underwater-electro library dynamite. One of the hardest pulls on the seminal Coloursound, Open Space Motion (Underscores) isn't just regarded as one of the best releases from library-funk overlord Klaus Weiss. It's one of the very best library records ever. As cult as it gets when it comes to library music, the Klaus Weiss sound was built on top of sometimes funky, sometimes frenetic, but always hard-hitting drums. AND YET! Open Space Motion departs from his drum-heavy approach by being completely...BEATLESS! That's right, the virtuoso beat smith, Mr "drumcrazy of Deutschland", a man known for snapping necks at will, crafted one of the most horizontally sumptuous, elegantly sweeping electronic masterpieces, sans-drums, a good decade before chill-out rooms became a thing. It features organic instruments married to pulsing synth bass atop brilliantly subdued yet irresistibly funky percussion. Possessing a very special vibe, that's at once futuristic yet cinematic, it overflows with atmosphere. The highlights - unsurprisingly - are many. The very first track - the unstoppable "Wide Open Space Motion" - is a sinister, string-fried electro bomb that rides an unrelenting bass loop. "Incessant Efforts" is more reflective, with pastoral yet probing flutes atop strutting synth chords and head-nod percussion that really swings. The heavenly, uber-kosmiche "Pink Sails" hovers over swirling neon-synthy-strings and yet more unobtrusive percussion. The beautiful "Transiency" is a dramatic piano-led underscore, its creeping unease created by patient strings, unhurried percussion and some wonderfully strident keys. "Driving Sequences" is perhaps the key tune here, and if the Detroit crew weren't listening to this staggering piece then, well, imagine if they *were*. The bubbling rhythms of "Southern Mentality", at first ominous, give way to a more optimistic vibe as the movement progresses. The lush, gorgeous "Bows" is deep-sea slow-motion magic whilst the bright-eyed "Outset" feels as fresh as the dawn, and no less beautiful. How these tracks haven't been gobbled up by sample-driven producers is beyond us. Equally calming is the sweeping majesty of "Constellation", again conjuring images of being at one with and fully beguiled by the wonders of nature, of space, of underwater worlds. "Changing Directions" is another fidgety, propulsive non-Detroit beatless bomb. As with all our library music re-issues, the audio for Open Space Motion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. Richard Robinson has brought the original Coloursound sleeve back to life in all its metallic silver glory.

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Richard Pinhas

L'Ethique

20,99 €* 27,99 € -25%

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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LP | 1982 | EU | Reissue (Bureau B)

P!OFF?

16,79 €* 27,99 € -40%

LP | 1982 | EU | Reissue (Music On Vinyl)

Release: 1982 / EU – Reissue

Genre: Electronic & Dance, Pop

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1980, Friday evening in the Munich suburban pub »Panoptikum«. My girlfriend draws my attention to the fact that behind me two guys are talking about looking for a new guitarist for their band. I turn around, chat them up (Jochen and Thomas) and praise my skills to the skies. A few days later I’m standing in Thomas‘ perfectly equipped practice room with my Ibanez Les Paul copy. We jam a little while – jazz rock, to which I can contribute very little due to my lack of skills. We quickly agree on a new style: minimalist, no drums, just a drum machine, Moog and organ, less guitar, dry bass. And German lyrics! We don’t really know or want that this should be ”ndw”. But of course we listen to DAF, Ideal, FSK, Fehlfarben and – yes, Spliff too. These influences are undeniable. So we found the ”piss OFF Orkesstr”, which very quickly becomes ”p’off Orkesstr” and then finally ”P!OFF?”. Ambitious and inspired, we produce a demo cassette that already contains ”Das dicke Kind”, ”Großer Bruder”, ”Pass Auf!” and ”Walkman” and send it to various record companies – including Munich‘s ”Ariola”, which is desperately looking for NDW acts because the Ariola empire has missed this trend. Therefore, they ”buy” about 25 bands at the drop of a hat – and P!OFF? is supposed to be one of them, because they expect some good airplay mainly from ”Walkman”. Producer god Anthony Monn (Amanda Lear, Relax, Saragossa Band, Fancy et al.) takes us under his wing and manages to keep the original demo sound, but to improve it considerably. ”Mein Walkman ist kaputt” didn‘t make it into the charts, but it was played more often on the radio and the Album didn‘t sell badly. In 1982, however, NDW is now commercialised to death and that ship had sailed. But we stay together (under different band names) and over the decades become first New Romantics, then Indie Rockers, then Grunge Noise Makers and finally Electronic Freaks. In 2009, for my fiftieth birthday, we decide to play a few songs from the old 82 record live, which becomes a huge success. And so we are – again as P!OFF? – still on the road with our old songs. The ’82 Album has become a sought-after collector‘s item and cult object – so we are very happy that Bureau B is presenting a lovingly remastered reissue after almost 40 years.

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Andre Hazes

Met Liefde

14,30 €* 26,99 € -47%

Release: 1982 / EU – Reissue

Genre: Electronic & Dance

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Moebius, Plank & Neumeier

Zero Set

LP | 1983 | EU | Reissue (Bureau B)

26,59 €* 27,99 € -5%

LP | 1983 | EU | Reissue (Les Giants)

Release: 1983 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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on 180g vinyl!

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Y Create

The Blue Tape

20,89 €* 21,99 € -5%

LP | 1983 | US | Reissue (Numero Group)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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In the early 1980’s Hessel Veldman and Herman te Loo assembled at Hessel’s apartment, which served both as a living room and as a home studio, every Thursday night. After the necessary social exchange over coffee, the guys started improvising, sometimes with a small preconceived musical cell or idea to work from. With a skeleton crew of just two (give or take the occasional overdub) the music that came out was usually simple in its form, sometimes stark, but always adventurous in its scope. And most of all: they approached the music with a sense of wonderment. Hessel had a great preference for repetitive patterns, executed on guitar, bass guitar or the synths of the era: a Korg MS 20 and a Roland Juno. Herman provided melodic lines with his soprano sax and occasional vocals and lyrics. A Drumatix drum machine provided the rhythms. Given these premises the duo sometimes sounded like Tuxedomoon or Wire, bands they both admired. But they never had the intention to imitate or copy anyone. Hence the occasional outing on a corny sounding ancient electronic organ (Philicorda) with pre-programmed analog rhythm box (eko). It provided the necessary humour in the sometimes gloomy 80’s period sound. They recorded everything, and Hessel would work on the result during the week that followed. The twosome would then discuss the mix prior to a new Thursday session. After a while there was enough material to compile a tape for Hessel’s independent Exart cassette label. It became one the volumes of a trilogy, entitled Y Create, the Y referring to Ymuiden, Herman and Hessel’s home town. In contrast to the other volumes of the series, the grey and green tape, the blue cassette (which is the one remixed and reissued on vinyl here) contained relatively short pieces – songs almost. The rest of the series delved more into long, hypnotic soundscapes, which later became an important ingredient for the music of Gorgonzola Legs, the band which Hessel and Herman started in 1984 with drummer/electronics wizard Gert Jan Prins and guitarist Jos van Duijne.

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Don Slepian

Sea Of Bliss

21,84 €* 22,99 € -5%

12" | 1983 | EU | Reissue (Mr. Disc)

Release: 1983 / US – Reissue

Genre: Electronic & Dance

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First ever vinyl edition of the landmark 1980 cassette by synth wizard Don Slepian. Utilizing the fabled and notoriously complex Alles digital synthesizer at the Bell Laboratories scientific research center, Sea Of Bliss features two transcendent cascading sidelong tracks, to easily qualify as one of the ultimate pinnacles of the new age genre. Cut with care using the Direct Metal Mastering process, and featuring cover artwork by visionary artist Jonathan Meader.

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Gaucho

Dance Forever

LP | 1984 | JP | Reissue (Victor Entertainment)

Release: 1983 / EU – Reissue

Genre: Electronic & Dance

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Another 1983 gem is remastered by the label Mr. Disc Organization “Gaucho – Dance Forever”!

Gaucho is the trio formed by the great Italian producers Stefano Pulga, Luciano Ninzatti and Bruno Bergonzi that some of them remember in other music groups such as “Kano,” “Dharma,” “Sphinx” etc.

“Dance Forever!” Yes we want to dance forever with this rhythm! Percussion that doesn’t stop and this synth that provides the backdrop for this dance.

There is also a remix by young Musta and Stefano Ritteri who have strengthened the track making it more powerful!

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Masahide Sakuma

Lisa

65,44 €* 76,99 € -15%

Peter Mergener & Michael Weisser

Release: 1984 / JP – Reissue

Genre: Electronic & Dance

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The reissue of Masahide Sakuma's 1st solo album 'lisa' released in 1984 has been decided!

LP reissue of Masahide Sakuma's 1st solo album 'lisa', which has been active as a member of Yonin Bayashi and Plastics and produced for many famous artists. A work released from the ambient music series 'Music Interior' by sound engineer Seihiko Ono. It is often called a Japanese ambient masterpiece, and it is soaring in the second-hand market, making it one of the coveted fans.

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Beam-Scape

LP | 1984 | US | Reissue (100% Electronica)

23,99 €* 29,99 € -20%

Release: 1984 / US – Reissue

Genre: Electronic & Dance

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Those Who Do Not White Vinyl Edition

Psychic TV

2LP | 1984 | UK | Reissue (Cold Spring)

34,84 €* 40,99 € -15%

2LP | 1984 | UK | Reissue (Soundway)

Release: 1984 / UK – Reissue

Genre: Rock & Indie, Electronic & Dance

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The sound of the classic period of Psychic TV - featuring Peter Christopherson and Geff Rushton (John Balance) of Coil, this full show is interspersed with recordings of the Pagan marriage between Genesis and Paula P-Orridge conducted by Sveinbjörn Beinteinsson Allsherjargodi.

Psychic TV at their most esoteric, their most ritual, and often most extreme, a perfect accompaniment to the legendary 'Dreams Less Sweet' album of the same year.

"Thee First Will To And Testament Ov Psychick TV. All our works remain interconnected, interfaced, and intentional. Thee Process is thee Product".

These recordings of a live disconcert by Psychic TV in Reykjavik, Iceland that took place November 1983 organised by HÖH and Gramm Records, to whom, eternal and infernal thanks all ways.

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Circus Underwater

16,24 €* 24,99 € -35%

Release: 1984 / UK – Reissue

Genre: Organic Grooves, Electronic & Dance

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Soundway presents Circus Underwater’s 1984 self-titled masterpiece. Remastered and extended to a double LP, this deluxe version includes six unreleased tracks unearthed from the original ¼” tapes, and presented with an insert, including never-before-seen photos and the fascinating story behind the music. Featuring artwork from Grateful Dead collaborator, David Lundquist, the album encapsulates a unique moment in time. Echoing the story of a generation that grew up in the 50s and 60s where music was everything, two friends embark on a journey of experimentation which begins in the beatnik suburbs of Washington DC and travels to the heart of hippie San Francisco. The result is an opus that fearlessly blurs the boundaries of genres and embraces diverse influences. Elements of prog, rock, ambient and wave music culminate in an odyssey that seamlessly bridges the gap between the spaced-out creativity of the 70s and electronic music of today.

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In Fractured Silence Black Vinyl Edition

LP | 1984 | EU | Reissue (Souffle Continu)

20,99 €* 27,99 € -25%

12" | 1984 | EU | Reissue (ZYX Music)

Release: 1984 / EU – Reissue

Genre: Electronic & Dance, Classical Music

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Have you heard of the Nurse With Wound List? If you are a fan of creative-experimental-unlikely music, certainly. You would therefore be aware that amongst the recommendations that Steven Stapleton slipped into the first album of his group Nurse With Wound, were to be found a few restless frogs: Jef Gilson, Luc Ferrari, Jacques Thollot, Urban Sax, Horde Catalytique and last but not least Jean-Jacques Birgé and Francis Gorgé. Stapleton admired their album Défense de. The two Frenchmen just had to conceive of a fabulous precursor to the channel tunnel (check out the inside of the record, you’ll see) to enable Stapleton to come to France in 1980. The Englishman was looking for contributions to a compilation to be released on his United Dairies label that he had created with John Fothergill, and he naturally called on Birgé and Gorgé, who were then playing with Bernard Vitet in ‘Un drame musical instantané’.

It was a done deal and the compilation would be named In Fractured Silence. Alongside Nurse With Wound and Un drame musical instantané, could be heard Hélène Sage (whom Birgé introduced to Stapleton) and Sema, a project from the experimental British musician Robert Haigh who had participated in key records in the Nurse With Wound discography, such as Homotopy to Marie and Spiral Insana.

The curtain is raised and it is Un drame musical instantané who start the ball rolling. Mystery abounds; synthesisers lurk, percussion clatters and the sounds (creaks, whistles, vocal insertions...) fire in all directions. For the piano, it’s a debacle, the Drame won, Hélène Sage can take over. Heading up a quintette including Gorgé and Vitet, she creates a cushioned chamber music with strings and many silences.

On the B side, it’s the other side of the channel. Sema’s piano first off, which dares everything, even melody, before spilling out its darkest ideas in a raucous requiem. Finally, Stapleton appears, delving into his collection of female voices to devote himself to an iconoclastic transformation and concoct a song which collapses under the assault like Marianne at Agincourt. After having listened to In Fractured Silence, you will simply have to choose sides.

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Otto Mix

Sahara Sand

14,44 €* 16,99 € -15%

Release: 1984 / EU – Reissue

Genre: Electronic & Dance

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Carl Weingarten / Walter Whitney

Dreaming In Colors

LP | 1985 | EU | Reissue (Emotional Rescue)

Digital Soundology #1 Volk Von Bauhaus

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Emotional Rescue begins the first in a series of reissues looking at the music of guitarist Carl Weingarten and his Multiphase Records label, starting at his highly sought after collaborate album with Walter Whitney, Dreaming In Colors. With an early interest in photography and Super 8 film leading to a degree in cinema production, Weingarten's other, self-taught, love was the slide guitar. Taking its blues roots and merging them with his visual arts background created a unique "painting in sound" style of playing. While looking to break into the film industry he began writing and recording his own film scores and other music for modern dance companies. From this, he founded Multiphase Records in St Louis in 1980. By the time of Dreaming In Colors, the label had released a series of cassettes and vinyl albums offering abstract, experimental, jazz-fusion, new wave and increasingly, new age compositions. Throughout this period the work of engineer, keyboardist and programmer, Walter Whitney was often present and by the 1985 release of Dreaming In Colors the duo had collaborated for a number of years and released several projects together, most notably as members of the Delay Tactics band. Recorded during off days from the Delay Tactics sessions, the album came together at Whitney's Subterranean Sound studio with a focus away from the bands guitar driven instrumentals to explore a multilayered approach to synthesis, blending textures with Whitney's original samples and sound design, while Weingarten's guitar moved from shining solo moments to complimenting the overall oeuvre, all with heavy washes of delay. This ecumenical approach led to the creation of this compelling album. A masterful conceptual whole that is linked by rich melodies and a concise playing style, heavy on substance while never forgoing the uplifting vibrations.

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Takashi Kokubo

LP | 1985 | EU | Reissue (Glossy Mistakes)

23,74 €* 24,99 € -5%

12" | 1985 | EU | Reissue (Betonska)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Ambient and environmental Japanese scene has flourished stronger than ever in the last years. The pioneers of this sound and the creators of an innovative way of making and understanding ambient music, such as Hiroshi Yoshimura, Yoshio Ojima, Toshifumi Hinata or Takashi Kokubo have been championed and their works have been successfully unearthed by reissue labels. Continuing in this endless path, Glossy Mistakes adds Takashi Kokubo’s brilliant “Volk Von Bauhaus” to its catalogue, with the Japanese masterpiece as the third official release of the Spanish label. As most of 80’s Japanese ambient and environmental music, “Volk Von Bauhaus” is an audio impression designed to give a multi-sensory experience to the listener. An effort to make things audible, an exercise of understanding and soundtracking objects or situations. The main objective of this sound is to create an iconic musical landscape to accompany a specific place. Though his name might be unfamiliar to many, Kokubo has crafted music that has impacted virtually all of Japan, from national mobile phone earthquake alerts to contactless card payment jingles. He was one of the first artists to create ambient music strictly through loops. As he mentioned when release this album, "this recording used no keyboard players, no multitrack tape recording techniques, no analog sounds”. A shift on the process of imagining sound. “Volk Von Haus” is and ode to this ambient, new age and environmental music created in Japan throughout the 80’s. Throughout 9 cuts, Kokubo handcrafts his own sound and immerses the listener in a peaceful yet challenging adventure. The record is the first piece of his Digital Soundology series, and arguably his most interesting work due to the groundbreaking techniques he used.

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Flo Sullivan

Higher

8,24 €* 14,99 € -45%

Music From The Withered Orange Tree

Release: 1985 / EU – Reissue

Genre: Rock & Indie, Electronic & Dance

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Over two years in the making, and it’s finally here. Amsterdam based, brand new old-school label “Betonska” kicks off with this highly diverse release for the selector, collector, radio host and club DJ. Crisp instrumentation, tight retro drum computer programming and propulsive danceable bass lines are what you will find here. The Amsterdam based label will be focusing on previously unreleased and tough-to-find material from the 80s and 90s – all re-mastered, officially licensed and in collaboration with the original artist. In addition to the original material an occasional modern twist will be given by contemporary artists who cherish that signature sound. The first release is an alternative issue of Flo Sullivan’s “Higher” release, originally recorded in 1984 in the world famous Amazon Studios in Liverpool and released in 1985. On the A-side both the 12” and the 7” version of the hard-to-get, firm synth-pop track “Higher” will be pressed on a loud 45rpm vinyl. The 12” version is the (bass-)heavier one, while the 7” version sounds more “organic” with an extended intro and an added horns part. The tracks on the A-side have been pressed before and are made available now again for the wider public, giving those tracks the recognition and attention they deserve. The B-side focuses on previously unreleased original downtempo material by the same artist but released under her real name: Gayna Rose Madder. This, accompanied by a refreshing club-ready remix of one of those tracks by Vienna’s top-notch selector, producer and Neubau label owner: Heap. Neither of the two original tracks “Over” and “Element” have ever been released on vinyl before, up until now. “Over” was written and recorded in 1983 in Splash Sound Studios in Liverpool. A beautiful melancholic synth-pop track, which was meant to be released, but unfortunately never saw the light of day. At the time it was recorded Gayna left her band “Shiny Two Shiny” and therefore needed a new deal from a different company for her solo releases. But by the time she found the right one, many newer songs needed release. Much later, in 2005, Gayna decided to self-release “Over” on a compilation CD to sell copies online. “Element” is a spoken-word poem accompanied by a fire-crackling tribal kind of rhythm. It was written for a musical play and recorded in Sparks Studio Liverpool in 2004 and has never officially been released before. (For a short period it was available on a self-released CD on Gayna’s website; a compilation of the songs written for one of her musicals). And last but not least, the icing on the cake is Heap’s remix of “Element”. He translated this spoken word poem into a refreshing 90s-style and danceable club-track to complete the diversity of Betonska’s first release. A chugging acid bass, breakbeat rhythms, crisp claps and sharp snares and a screeching lead synth to get you screaming on the dance floor.

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Steve Austin

LP | 1985 | EU | Reissue (Cocktail D'Amore)

16,99 €* 19,99 € -15%

LP | 1986 | Reissue (Glossy Mistakes)

Release: 1985 / EU – Reissue

Genre: Electronic & Dance

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Originally released in the mid 80's on UK cassette label Bite Back!, this nearly lost gem finds new life 30 years later on Cocktail D'Amore Music. Steve has cobbled together a superbly melancholic electronic concept album. Wistful melodies often evoke sentiments of a lost childhood and hazy English mornings. Each song within remains untitled allowing full perceptive freedom as to what they all communicate, a language for the feelings that have no name. Untitled A1 - A6 leads one along intimate soundscapes of pattering drums and tinkering piano, a sense of closeness and trust develops with the introduction of each new idea much like the beginning of a bed time story. Untitled B1 - B3 then begin to breathe more openly awash in angelic colours before abruptly turning downward on B4, a wall of booming drums and atmospheres from the furthest reaches of the galaxy before the last trio of songs settles gently back on Earth.

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Akira Ito

Marine Flowers

28,49 €* 29,99 € -5%

LP | 1986 | EU | Reissue (Proxima.)

Release: 1986 / Reissue

Genre: Electronic & Dance

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Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multi artist Akira Ito. An album that is unique, delicate, exploratory… a true one-of-a-kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.

Looking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.

But Akira’s musical interests changed throughout his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music. Akira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First, he started his own record label, dubbing it “Green & Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”. Originally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.

Liner notes are written by Diego Olivas, author of the blog Fond/Sond, from an interview with the artist coordinated by Ken Hidaka.

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Javier Segura

Nostalgia De Lo Humano

26,09 €* 28,99 € -10%

Tyger Yellow Vinyl Record Store Day 2020 Edition

Release: 1986 / EU – Reissue

Genre: Electronic & Dance

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Originally released in 1986, 'Nostalgia De Lo Humano' is almost unclassifiable. For Segura, styles are another form of repression, something that serves to label and keep track of those who sees, listens, buys or plays, and especially who sells. Despite the fact that Segura has been producing music continuously since the 1970s, his recognition as a musician was for a long time limited to experimental music circles. He had always controlled his career on his own, on the fringes of the industry. As Javier Segura himself says, his head is full of textures, rhythms and melodies. Through his textured productions, Segura opened up new dimensions to experimental music, using guitars, drum machines, trumpets, synths, or pedals.

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Tangerine Dream

LP | 1987 | US | Reissue (Culture Factory)

29,59 €* 36,99 € -20%

12" | 1987 | EU | Reissue (Proxima.)

Release: 1987 / US – Reissue

Genre: Electronic & Dance

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Record Store Day 2020 Release.
Limitation: 3000 copies.

Tangerine Dream's classic 1987 album Tyger. Recorded in Berlin and Vienna, the album was the final studio release by the band for the jive electro label and took its inspiration from the poems of William Blake. Edgar Froese, Chris Franke and Paul Haslinger utilising the services of guest vocalist Joceylyn Bernadette smith on a number of tracks, resulting in one of the most inspiring tangerine dream albums of their so called 'blue years'.

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Cold End

Metropolitan Jungle

16,14 €* 18,99 € -15%

Nightlights In Japan Curacao Blue Vinyl Edition

Release: 1987 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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Originally released in 1987, « Metropolitan Jungle » by German synth-pop band Cold End is reissued by Swiss label Proxima. Cold End is the second musical project of Katrin A. Kunze, Jürgen Grah and Markus Kammann. Musically, the sound of Cold End was something special back in the time, as a successful fusion of electronic and soul. Dynamic percussions, synth textures and enchanting vocals. Includes an aerial rework by Audrey Danza. All four tracks are freshly remastered!

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Galvanica

12" | 1987 | EU | Reissue (Best Record Italy)

14,39 €* 17,99 € -20%

LP | 1988 | EU | Reissue (Libreville)

Release: 1987 / EU – Reissue

Genre: Electronic & Dance

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Limited edition of 300 copies on curaçao blue wax.

Galvanica: a voice with unusual qualities, refined and balanced, also high-pitched, sensual, embellished by an orgasmic inspiration with fluid and spaced solos in hypnotic rhythms that often change scenery. ‘Nightlights in Japan’: an extraordinary piece of pure and profound creativity where each version seems to have been built apart and where the West meets the East. A splendid interpreter for a truly stunning piece, as fresh and far-sighted as the day it was recorded at Studio Emme in Calenzano by Marzio Benelli with the Yamaha DX7 synth and Linn 9000 drum sequencer that are at the base of the piece - made and re-interpreted in the four original versions, all sung in the Eastern Asian pentatonic scale. ‘Nightlights in Japan’ was also written by Massimiliano Orfei, at the time collaborator in the advertising projects from label Smash One Music of Pino Toma, the producer who drew new inspiration to venture into the record market, which, in 1987 became everyday more difficult and this song was considered out of fashion - even if each version seems to have been built as a unique composition, and it was expertly arranged by the talented Giorgio Costantini (Giokost as composer). We’ve clarified as to whom Galvanica's velopendulus belongs, to rightly consider this artist as a contributive voice of disco music, despite being part of the ‘second wave’ of the Italo-Disco scene having contributed to it as Otero, Belen Thomas, Angelby and previously with the disco-project Plustwo creating ‘Melody’ (which after 40 years gets a new extraordinary success with 134 million plays on TikTok and around 18 million streaming).

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Mega Wave Orchestra

23,74 €* 24,99 € -5%

LP | 1988 | EU | Reissue (Thank You)

Release: 1988 / EU – Reissue

Genre: Electronic & Dance

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Libreville Records is proud to present a focus on legendary electronic swiss project Mega Wave Orchestra in the form of a compilation LP including unreleased material.
Originally released privately in Geneva in 1988 as a box set containing five LPs by The Mega Wave Orchestra and five prints by the artist H. Richard Reimann.
The Mega Wave Orchestra, the brain-child of musician, mathematician and composer Christian Oestreicher, was conceived as an multi-media electronic music big-band. It was comprised of seven multi-instrumentalists Christine Schaller, Vincent Barras, Jacques Demierre, Olivier Rogg, Rainer Boesch, Roger Baudet, and Benoit Corboz, with Oestreicher as arranger and producer.
The Mega Wave Orchestra created a new hybrid music. It was a music with roots in the jazz and classical traditions, but one which also drew on the sonic freedom of musique concrete and the kind of total experience offered by psychedelia. The diverse backgrounds and specialisms of each of the band leaders/writers resulted in a wide variety of music across the five discs: from austere drones and granular aural detail to warm oddball fusion and gorgeous but cracked vocal jazz.
There are useful contemporary comparisons to be made: zoned synth jazz like the Azimuth LP on ECM or Karin Krog’s Freestyle; Larry Heard’s sequencer dreamtime; the Valium minimalism of Pep Llopis or Jun Fukamaki; Dexter Wansel’s shimmering arrangements for Loose Ends, or even the FM sheen meets cold war threat of Donald Fagen’s Night Fly. Here, too, is the sound of music technology about to snowball and define its own aesthetic, unknowingly prefiguring auteurish bedroom producers like Black Dog or The Detroit Escalator Company.
Lovely crafted tip-on sleeve. Remastered from Master tapes. 500 copies.

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Ghia

Here I Am

14,84 €* 26,99 € -45%

LP | 1989 | EU | Reissue (Driven By The Music)

Release: 1988 / EU – Reissue

Genre: Organic Grooves, Electronic & Dance

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After the re-issue of Ghia's “Don't Leave Me Alone” we continue the Austrian collaboration with Ghia's only known album release to date. Originally from 1988, this album features 9 tracks that further deepen the aesthetic direction strongly established by the now digger-delight single released the year before. An album that was somewhat mysterious due to little information online, yet coveted amongst diggers that had already been exposed to the magic of “Don't Leave Me Alone”. From slow dance ballad pop smoothness to high paced quasi-house keyboard and guitar infused playfulness, “Here I Am” has a sound that's unique yet refined, characteristic of an ace studio recording environment. Essential in any well seasoned record collection. Severely remastered.

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Donna Summer

Another Place And Time

37,04 €* 38,99 € -5%

Release: 1989 / EU – Reissue

Genre: Electronic & Dance

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Love's Secret Domain 30th Anniversar Edition

Coil

CD | 1991 | US | Reissue (Wax Trax!)

18,04 €* 18,99 € -5%

LP | 1991 | EU | Reissue (Afrosynth)

Release: 1991 / US – Reissue

Genre: Rock & Indie, Electronic & Dance

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The CD Edition includes the remastered 13 tracks and reproduces the original Wax Trax! booklet utilizing new photographs of the Steven Stapleton painting.

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Citi Express

Living For The City

Get Off Black Friday Record Store Day 2023 Vinyl Edition

Release: 1991 / EU – Reissue

Genre: Electronic & Dance

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Cover versions of international songs have long thrived in South Africa’s music industry. Often unable to license the original tracks (until the early 90s the result of an international boycott of the country) labels instead hired producers and session artists to re-record them for the local market. Early house music in SA was no different.

When Ron ‘Robot’ Friedman, former bass player for local rockers Rabbitt, was winding down his label On Records in the early 90s, he reached out for new inspiration as the popularity of ‘bubblegum’ disco waned. For one of the label’s final releases he hired young DJ/producer Quentin Foster, obsessed with the new soulful house sound coming out of the US, to take the reins on a studio project dubbed Citi Express.

On Robot’s insistence it included a cover of Stevie Wonder’s ‘Living for the City’ (from 1973’s Innervisions) as the title track. Foster set to work in his home studio, dubbed Tone Def, selecting and re-working other US and UK tracks — ‘It’s Too Late’ (originally released in 1989 by Kelli Sae), ‘Love is the Message’ (influenced by the 70s soul anthem and credited to Gamble & Huff but bearing a closer resemblance to Better Days’ 1990 release written by Steve Proctor), ‘People of The World’ (recorded by Sorell Johnson in the UK in 1990) and ‘Victim of Your Love’ (released in 1990 by Gary Vonqwest as ‘Victim of Love’) — adding some signature South African touches in the process that foreshadow the imminent rise of kwaito. One original composition was added for good measure, ‘Open Invitation’.

The result offers a glimpse into those early days of house, a uniquely South African take on a global sound that still resonates today — reissued for the first time on Afrosynth Records.

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Prince & The Npg

12" | 1991 | Reissue (Warner)

12" | 1992 | EU | Reissue (Best Record Italy)

Release: 1991 / Reissue

Genre: Electronic & Dance

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Exclusive RSD Black Friday 12" Vinyl of Get Off ("Damn Near 10 Minutes" Re-Release of the original one-sided promo 12" (B-Side "blank") that Prince serviced direct to Club and Radio DJs on his 33rd Birthday (June 7, 1991) Only 1.500 copies of the original Promo were created. The response to the track was so strong that an edited version was added to the "Diamonds and Pearls" album.

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Deep Invention Orchestra

Paradise

16,14 €* 16,99 € -5%

Storm / Pomping World Dark Purple Vinyl Edition

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Limited remastered reissue of Paradise! the one and only release by Deep Invention Orchestra (Alex Neri, Marco Baroni) released on small Italy based label Adriatric Club in 1992.
Here's a fresh reissue of a dream house-era, this edition includes the previously unreleased ""Original Paradise Version"" : this is something of a deep house heaven via a sublime ambient seawaves intro. meanwhile on the flip we found two songs more underground club focused like "Paradise Dub Mix" and "Deep Jungle Mix" that despite their titles are completely different from the original songs and add more value to this Ep.

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In Sync

12" | 1992 | EU | Reissue (Back To Life)

High Lonesome Sound System

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Another release, another gem! Two techno tracks with minimalistic essence of the '90. Roland SH-101s, Tr-808 and Tr-909: this is what we need for dance. Don't miss it! For true lovers!

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Waiting For The Lights

12" | 1992 | EU | Reissue (Sound Metaphors)

15,19 €* 15,99 € -5%

LP | 1992 | EU | Reissue (Sunny Crypt)

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Another powerful release from the Exist Dance catalogue, pioneering and shaping the sound of the US early 90's rave scene. A 4 track EP by High Lonesome Sound System - yet another project by Tom Chasteen and Mike Kandel - with a collection of different mixes of “Waiting For the Lights”. Overall a mighty rollercoaster ride in breaky prowess, playful sample wealth and driving synth riffs. Putting the Amen break to unprecedented monumental grandiosities on the dancefloor. Especially with the meticulous mastering on behalf of Manmade mastering. Can't go wrong, buy on sight.

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Lyngsø & Søndergaard

Random Rooms

23,74 €* 24,99 € -5%

12" | 1992 | Reissue (Groovin Italy)

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Run by Gabriele and Paolo, Italy based newborn label Sunny Crypt's first output is a reissue of the sought-after "Random Rooms" album by Danish poets and multidisciplinary artists Niels Lyngsø and Morten Søndergaard. Both attending the Literature university in Copenhagen, they were linked at first by a mutual passion and fascination towards music - or rather "sound" - even before unveiling each other that they were writing poems. Niels and Morten started bringing their solo homemade DIY sound experiments together, giving birth to a wide genre-spanning album that ranges from slow tempo mutant disco to folk inspired synth-pop to sound collages and more musical compositions that is fairly complex to put in a precise musical genre box. First released in 1992 on the same day as their debut poetry collections, Random Rooms should be a house or a flat or an exhibition space that you could walk through and in each room you would come across something new. A fusion of genre and bits and pieces of culture and play. A kaleidoscope of past, present, and future.

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Don Carlos

Mediterraneo

Release: 1992 / Reissue

Genre: Electronic & Dance

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12" | 1992 | EU | Reissue (Sub Authority)

Rhythm 3 Request

Desafinado

Can You Feel It/On The Attack

Release: 1992 / EU – Reissue

Genre: Electronic & Dance

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Official reissue from the catalog of legendary UMM Records. Sub Authority Records is back with a true anthem of all House music lovers: ""Desafinado"" from Rhythm 3 Request. This project draws on their unwavering knowledge of dancefloor culture and the quality of individual sounds. An ode to the legendary imprint of old school and house music, that builds infectious arrangements with ease before falling into an irresistible four-on-the-floor club sensation.

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Tone Def

7" | 1992 | UK | Reissue (Vinyl Fanatiks)

12,34 €* 12,99 € -5%

12" | 1993 | EU | Reissue (White Satellite)

Release: 1992 / UK – Reissue

Genre: Electronic & Dance

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Two tracks that were lost for nearly 30 years on ¼ tape but rediscovered by Void Acoustics head honcho Roger – who also wrote the music back in 92! Originally pressed in 2019 on yellow vinyl by Vinyl Fanatiks – the tracks have had the 7” edit treatment by Rog, creating a unique collectors item for the hardcore heads out there.

Back to attack!

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TV Eyes

Movin' Yourself

14,24 €* 14,99 € -5%

The Swinging In The Trees EP

Release: 1993 / EU – Reissue

Genre: Electronic & Dance

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This records produced by Leo Mas & Sergio Portaluri takes us back to the Italian golden era of the early 90's house, a must in all the DJ sets of the best undergound clubs, finally. Originally released by Informal Records in 1993 this remastered edition on White Satellite includes an unreleased edit track not present on the original vinyl.

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Double H Productions

12" | 1993 | UK | Reissue (Vinyl Fanatiks)

16,19 €* 17,99 € -10%

2LP | 1993 | EU | Reissue (Kontakt Audio)

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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Who remembers the UK rapper MC Duke from Music Of Life? That all-time classic ‘Miracles’ as well as being sampled in untold rave tunes in the early 90’s including Prodigy’s ‘Everybody In The Place’ which uses his lyric ‘Can’t beat the system, go with the flow’. Well, did you know that MC Duke and his DJ, Leader One, went on to create jungle a few years later?

This was their first jungle release before they went on and formed Hard Disk where they released the rest of their output. An EP that has the essence of the hip hop sample culture, showcasing how creative you can be with the right record collection at your disposal.

Raw East London jungle from 1993 repressed on limited edition heavyweight royal blue vinyl in a Vinyl Fanatiks housebag. Vinyl only.

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Rapoon

Raising Earthly Spirits

43,69 €* 45,99 € -5%

The Chris Simmonds Project

Release: 1993 / EU – Reissue

Genre: Electronic & Dance

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Raising Earthly Spirits was conceived as a ritualistic, shamanistic album centred around the concept of transcending this level of consciousness and existing mindfully in multidimensional space and time. It draws heavily upon the sacred ideas and practices of many indigenous peoples from this earth and how they communicate and interact with their ancestors and how they see themselves in relation to this world. It was made with respect towards these beliefs. - Robin Storey/Rapoon

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Work It

12" | 1993 | EU | Reissue (Frl Classic Edition)

12,59 €* 13,99 € -10%

12" | 1993 | EU | Reissue (Nocturbulous)

Release: 1993 / EU – Reissue

Genre: Electronic & Dance

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UK icon Chris Simmonds meets Detroit legend Mike Huckaby in this EP that today is a classic, released in 1993 on Definitive Recordings and brought to light by FRL Classic Edition. Reissue of the stone-cold killer baseline twelve with some sweet addictive Detroit House music. Mike Huckaby's vibes continue to this day as the most treasured and sought-after sound!

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Paradise 3001

Blue Highway

16,14 €* 16,99 € -5%

LP | 1993 | JP | Reissue (EM Records)

Release: 1993 / EU – Reissue

Genre: Electronic & Dance

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The 4th release on the "Classics" Division of Nocturbulous Records, Paradise 3001's "Blue Highway," is a reissue of the classic EP, remastered for vinyl and repressed for the first time since 1993. It takes you on a trancey journey into the very unique ambiance and beautiful atmosphere of the legendary D-Shake. This reissue is a must-have for true enthusiasts of the genre.

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Kojun

The Water Garden

23,09 €* 32,99 € -30%

Persian In Aa Babylon The Meditator Remix Gold Colored Vinyl Edition

Release: 1993 / JP – Reissue

Genre: Electronic & Dance

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A buoyant masterpiece from the early 90s, "The Water Garden" was created by Okinawa-born Kojun Kokuba under the inspiring image of a "happy Asia" thriving in the sea-based trading networks of the medieval to pre-modern era, with the concept that various types of music, as well as physical goods, were distributed and dispersed across the seas connecting various parts of east and southeast Asia. Fittingly, the music here has definite and distinctive Ryukyu island roots, but is informed by a number of other Asian musical traditions, layering phrases derived from numerous Asian scales, often altered by Kojun, eschewing typical Western chordal harmonic movement. Kojun uses the synths and multitrack recorders of the early 90s to, in his words, "pile up lines" in sweet and not at all overbearing melodic accumulations, with a desire to distribute and disperse a new energy from Okinawa to the rest of Asia and the world. Despite a pleasing and compelling rhythmic lilt and the use of synths and drum machines, this music was not created as a product for the dance floor; Kojun envisioned a type of electronic salon music, a "light music" made with contemporary technology. This is the first LP edition of the self-produced original 1993 CD release and includes bonus tracks and liner notes in English and Japanese.

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Persian Prince

12" | 1993 | UK | Reissue (Meditator Music)

16,14 €* 18,99 € -15%

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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Persian In Aa Babylon The Meditator Remix Black Vinyl Edition

Persian Prince

12" | 1993 | UK | Reissue (Meditator Music)

15,29 €* 17,99 € -15%

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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Ideology/Abstrax Pink Vinyl Edition

Sdr & Subsonic

12" | 1993 | UK | Reissue (Vinyl Fanatiks)

17,09 €* 17,99 € -5%

2LP | 1994 | EU | Reissue (Svart)

Release: 1993 / UK – Reissue

Genre: Electronic & Dance

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Originally released on Shoebox in 1993, this wonderfully pink piece of vibrant vinyl comes with two hardcore/proto-jungle bangers made by SDR & Subsonic who also own Shoebox. They are also the artists behind the Digital Pressure release on A Guy Called Gerald’s label Juicebox (keep it locked to Vinyl Fanatiks in 2024 for this one).

This release has been sought after for a good number of years with the usual high-ticket price on Discogs. But now the opportunity is here to grab a copy at a fraction of the price with some saying it is also a better sounding release compared to the original pressing.

The fourth and final bubblegum pink vinyl release. Grab yours before they sell out. Lock N Loaded…

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Nemesis

Xcelsior

26,99 €* 29,99 € -10%

12" | 1994 | EU | Reissue (Mixed Signals)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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A Svartronix product. Double vinyl, 300 copies.
NEMESIS is one of the pioneering acts in the Finnish electronic music scene, representing the more relaxed field of it. Their debut album Xcelsior first saw the daylight in CD form in 1994, and this band-approved double LP marks its vinyl debut.
Xcelsior already has all the elements which make the group’s music personal and recognizable. The music has layers on top of each other and side by side, where influences from various decades of electronic music play effortlessly amid modern digital technology and electronic beats.
Real and digitally created vintage analog machinery resonate warmth and soundscapes that arise from the collective memory of cosmic sound explorers create familiar hum in the background.
Stellar coordinates are correctly set as thick pulses of sound transport the cosmic ship towards the horizon in spiral movement, and from time time gravitation loses its grip of the vessel.
Xcelsior is electronic storytelling at its best: a mixture of pulsating modern electronic sounds, ambient, psychedelia, the progressive vision of synth pioneers of the seventies, celestial geometry and nebular hum.

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Webb

Elevate

LP | 1994 | CA | Reissue (Mixed Signals / Left Ear)

Release: 1994 / EU – Reissue

Genre: Electronic & Dance

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David Webb’s hypnotic and raw Elevate 12” from 1994 reveals an overlooked region in Detroit’s seemingly-endless musical landscape, linking the narcotic minimalism of Theo Parrish’s Ugly Edits with the uninhibited, spontaneous, and jazzy jamming found on J Dilla beat-tapes. Raised in the musically fertile and adventurous atmosphere of Detroit, Webb got his start as a mobile DJ while in high school during the late 70’s. Captivated by the local boom of soul, funk and disco, he’d frequent the social clubs, soaking up sounds. His earliest experiments in mixing led him to form a DJ crew with his pal Paul Johnson. Paul enlisted a friend, Jeff Mills, pre-Underground Resistance, to join the trio and they called themselves Frequency Sounds. The three would play underground parties and college events for Michigan State students. Throughout the 80’s, Webb and his friends would play at the local clubs around town, like 431 East (now called Saint Andrews), where he played alongside Ken Collier and other Detroit legends. Each week he found new sounds at his local record shop Buy Rite Records on West 7 Mile, where he’d dig for Italo, New Wave, Disco and House, buying 12”s from labels like Prelude, Trax and Beggars’ Banquet on sight. Webb’s earliest experiments with producing his own sounds started when he bought an Echoplex and Asr-x Drum Machine. During his sets he’d add live effects & rhythm to his favourite songs. This led to building a mini home studio where initially he would record all his songs overdubbing on two tape decks. Two of his earliest experiments, Elevate and Who Am I? Were self-released as a small- run promo 12” that he would hand out to his friends and local DJs. Webb quickly sold out and gave away the pressing, and he would often hear it played by DJs around town, but over time it drifted in the margins, as an obscure footnote in the history of Detroit Techno. Mixed Signals is proud to bring this important record back into circulation, seducing a whole new generation of DJs and dancers with Webb’s dark and silky pleasures.

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Litia=Loe

Life Love Dance

37,04 €* 38,99 € -5%

12" | 1994 | EU | Reissue (AGT)

Release: 1994 / CA – Reissue

Genre: Electronic & Dance

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Comes with insert. Ltd Edition.

Mixed Signals and Left Ear Records team up again to refresh Litia~Loe’s mid-90s album Life Love Dance. On this timeless release, the group channel the golden age of Nu Groove, foundational Warp releases, and the Ibiza days of New Order, all rooted in a uniquely Chicago sound. Five years after their EBM-tinged cerebral house anthem “Each Dawn Every Dawn”, the Litia~Loe (Life In The Insane Asylum = Life On Earth) crew dropped a lush album of wider proportion — six songs that feel more mature, more confident. Yet, despite this cultivated style, they continue to maintain the distinctive jest of their first outing. Grant, Leon, and Simeon’s new approach was more exploratory, traversing adventurous channels of pop, wave, IDM, and house. Not only are the songs more varied, but the growth of the trio’s technical skills are apparent. These songs feel more considered, like they have been refined over time, given just the right amount of polish without losing the ecstatic rawness that gives them breath and bounce.

“The Rush” follows the crooked path that was featured in their first single, with a vocal performance that maintains a murky half-singing-half-spoken-word opacity; the optimistic lyrics juxtaposed with sinister synthetic strings. “Whisper To Me” demonstrates a new side to the group which shows their ability to break from an orthodox house sound and highlights their pop sensibilities with a narcotic Depeche Mode-ish bassline. “Peep Show” reveals a mellower mode, drenched in euphoric echo and sensuous synth pads. Also featured on this reissue is an unreleased CD instrumental “First World” having its first ever vinyl release.

Life Love Dance captures the sound of primetime Chicago melodic house music, but offers something more expansive. Uninhibited by the borders of genre, the trio took a more inclusive approach to their music, which catalysed in a playful and peerless production style which makes their work stand out from the droves of generic dance records from that era.

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Unknown Artist

Sun-D